Penguin is celebrating its eightieth anniversary this year. How well do you know its classic book covers? At The Telegraph, a quiz on the better-known titles in its library. You could also look back on one of our book cover battles.
Things you can learn about Teddy Wayne from his essay in the New York Times Book Review: one, his first name is Derek; two, he believes the modern lit world is crazy for guys named Jonathan; and three, he once considered using the pen name D.T. Wayne. (For more, you could go read our interview, or else check out our review of his latest novel.)
Out this week: Modern Lovers by Emma Straub; Some Possible Solutions by Helen Phillips; The Gallery of Lost Species by Nina Berkhout; Robert Parris Moses by Laura Visser-Maessen; Hot Little Hands by Abigail Ulman; and The View from the Cheap Seats: Selected Nonfiction by Neil Gaiman. For more on these and other new titles, go read our Great 2016 Book Preview.
“In creative writing, I teach that characters arise out of our need for them. By now, the person I created in New York was the only one I wanted to be. …Eight years after reaching the end of myself, I was on borrowed time. Whether it was in a plane or a coffin, I knew I had to get out of Jamaica.” Marlon James, author of The Book of Night Women, which once gave me so much trouble, and whose novel A Brief History of Seven Killings the Book Report covered here, writes for the New York Times Magazine about leaving Jamaica to find himself in Minnesota.
Book Riot has compiled a list of Roxane Gay’s recommended reads via Twitter. Some of her choices include Citizen by Claudia Rankine, God Help the Child by Toni Morrison, and City on Fire by our own Garth Risk Hallberg. See more books Gay recommends in our Year in Reading column.
There are all kinds of arguments for reading the canon (Italo Calvino‘s come to mind) but why should we spend time reading untested contemporary authors? Tim Parks tackles this question, with a little help from Virginia Woolf, for The New York Review of Book‘s blog, and his argument pairs well with Guy Patrick Cunningham‘s Millions essay on reading the classics.