Is death “in” as a topic? It may seem like a ridiculous idea, but Lorraine Berry has evidence to back it up. She argues, using Benjamin Johncock’s The Last Pilot, among others, as proof, that mourning and grief are enjoying a bit of a renaissance.
Forgive us for being slow on the uptake, Colorado residents, but this is the first I'm hearing of Aspen Public Radio's First Draft radio show, which features interviews with numerous authors of wide acclaim. A casual glance at the show's online archives, for instance, turns up the likes of Paul Harding, Kevin Barry, Laura van den Berg, Edwidge Danticat, and Ben Fountain. (h/t Edan Lepucki)
"You’re following some cute glyph about smoking, then one about stationary, then dirty dishes and some mischievous cat—then it’s suddenly 'Not your father’s safari jacket' followed by pearl puddles, LIBERATOR dildos, Quaker teens, rehab, troubled teens, and more jackets. It’s like a mini-Buñuel movie! And they expect you to keep following along with Malcolm Gladwell, or whoever it is, over there to the left? Why would you? You want to shout, Hey Malcolm, can you shut up about Twitter and explain the neo-surrealist montage unfolding perversely in the margins?" The strange amalgamation that is the magazine ad column.
"Macbeth has a twist that sets it apart from every other Shakespearean tragedy: Macbeth murders his voice. Mad with fear that Banquo’s heirs will seize the throne, Macbeth has Banquo killed. After that, our antihero is on his own. There is no one left to verify what is real and what is not ... When Macbeth’s voice dies, everything else disappears, too. Macbeth is alone." This excerpt from Jillian Keenan's Sex With Shakespeare touches on everything from sexuality in Singapore to The O.C. fan-fiction.
The Metropolitan Museum of Art has just released almost 400,000 high-resolution digital images of its collections. Among them are thousands of illustrations from bygone days when "picture books" were not for children alone. Pair with Buzz Poole's reviews of contemporary works of visual literature in The Millions archives, from hand-drawn self-help quotes to politically-charged images of transit in Tehran.