In 1970 The American Scholar published a list of works that “distinguished men and women” deemed neglected. Now, inspired by a LitHub essay on “10 Great Writers Nobody Reads,” the Scholar‘s editors are revisiting those neglected books to see if anything’s changed. Pair their efforts with Claire Cameron‘s look at the unlikely rise of the once-neglected Stoner.
"The problem is that young children have terrible taste and enjoy garbage. Another problem, which compounds the first problem, is that they want to hear the same books hundreds of times in a row. So for all the joys that storytime can offer, it frequently entails a kind of dismal self-abnegation that’s too excruciating even to describe as tedium—an actively painful sense of my precious time on earth being torn from my chest and tossed into a furnace." Gabriel Roth writes about the terrible Poky Little Puppy for Slate, and his complaints pair well with Jacob Lambert's Millions series, "Are Picture Books Leading Our Children Astray?" and "Again, I Ask..."
Daniel Orozco's Orientation collects many of his short stories in one attractive volume. Released last May, the collection features the classic story "Orientation" (Scribd) as well as newer ones such as "Shakers" (Scribd). It garnered enough hype to land him on the long list for this year's Frank O'Connor Award.
"I’ve always thought Yunior’s voice isn’t possible without hip-hop," Junot Díaz says. He discusses how hip-hop influenced his writing, his top three albums (Immortal Technique’s Revolutionary Vol. 2., Wu-Tang Clan's Enter the Wu-Tang: 36 Chambers, and Big Daddy Kane's Long Live the Kane), and even Miley Cyrus in an interview with Salon. Previously, we reported that he wrote his first book to the Conan the Barbarian soundtrack.
Another phone-related book project: Call Me Ishmael, a site that collects stories about reading and life via voicemail messages. The instructions are simple: call Ishmael at 774-325-0503 and leave him a message "about a book you love and a story you have lived." Several of these messages are transcribed and posted online every week but, if we're being honest, we appreciate this project for the pun as much as for the stories.