“The short story, as a form, has plenty of defenders,” the collection of unconnected short stories, maybe not so much. In an essay for LitHub, regular Millions contributor Jonathan Russell Clark praises the unlinked stories of Barbara the Slut and Other People and Single, Carefree, Mellow because “despite a lack of the wholeness of a novel, something complete and true and hard-won emerges by the end.”
Elisa Wouk Almino writes for Hyperallergic about her search for a home in Elizabeth Bishop’s poetry of estrangement. As she explains it, “Over time, I’ve found that home is not always attached to place.” Pair with this meditation on Bishop’s poetry.
“My sense, though, was that he was a very complicated man. He could enter a room and be the organizer of games and magic tricks and funny stories and a brilliant mimic and holding forth and entertaining and holding the center. But he was also incredibly controlling; he was domineering.” Ralph Fiennes on playing Charles Dickens.
“While others … have explored the more serious contexts of online humor, particularly when it tilts into the grim and mean, in Epic Fail [Mark] O’Connell makes a useful addition to what I’ll refer to as Lulz Studies by attempting to put this variety of Schadenfreude in cultural-historical perspective.”