A new service called linkmoji will translate the letters in URLs into — you guessed it — emojis. What are the chances novels aren’t that far behind? At Salon, Erin Coulehan explores the possibilities of the emoji novel.
Sick of getting corrected for tiny grammatical mistakes? Turns out you may not be a forgetful person after all. According to a cognitive psychologist at the University of Wisconsin, our brains have a tendency to fall into bad grammatical habits, even when we know the rules we’re trying to follow. In The Washington Post, Andrew Heisel investigates. You could also read Fiona Maazel on the specter of commercial grammar.
Recently I reported on the launch of Two Dollar Radio Moving Pictures, a cinematic venture from the indie publishers in Ohio. Since then, a pair of teaser trailers have been released for the first films in the organization’s pipeline. One is for The Greenbrier Ghost, which was co-written by Crapalachia author Scott McClanahan. The second is for The Removals, and it was directed by Orange Eats Creeps author Grace Krilanovich. (A few years back I gave TOEC some love in my Year In Reading post.)
Lydia Millet’s most recent novel, Magnificence, is the third in a trilogy, and a reminder of what a significant body of work she’s been building over the last decade. The Point offers the best overview of that work you’re likely to find anywhere. Millet’s “equal parts” Ben Marcus and Jonathan Franzen, writes Tom Dibblee, “but really she’s her own thing.”
Portland-based Publication Studio is hosting a whirlwind series of events in New York next week. They kick off the weekend with an evening mixer at the Museum of Modern Art on Thursday, April 19; continue with a conversation between landscape architect Diana Balmori and PS co-founder Matthew Stadler at Printed Matter, on Friday, April 20th; and end with a lavish sit-down dinner, cooked by Ben Walmer of the Highlands Dinner Club in the Harlem speakeasy where HDC got its start, on Saturday, April 21.