John Clare, “the peasant poet,” wrote wide-ranging poems on rural themes, distinguishing himself from his peers in the 19th-century literary scene in England. In 1830, in the midst of an episode of depression, he wrote a long polemic against the first-person pronoun, in the form of a letter to his friend Eliza Emmerson. In The Paris Review Daily, an excerpt of the letter.
New this week: A Gambler’s Anatomy by Jonathan Lethem; The Fall Guy by James Lasdun; No Knives in the Kitchens of This City by Khaled Khalifa; Mister Monkey by Francine Prose; The German Girl by Armando Lucas Correa; Truevine by Beth Macy; Love for Sale by David Hajdu; and The Loved Ones by our own Sonya Chung. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
Geoff Nicholson of the New York Times compares the rules of drinking and the rules of writing in light of the recent reissue of famous cocktail guide The Hour (with a new introduction by Daniel Handler, otherwise known as Lemony Snicket).
As e-books gain market share, publishers are gussying up book designs. Free Press vice president and publisher Martha K. Levin says, “the message [is] that even if you’re buying 90 percent of your books on your e-reader, this is the one that you want to have on your bookshelf.” The article highlights 1Q84 as an example of a successfully well-designed physical object, but if you haven’t seen a copy, check out Chip Kidd’s discussion of his work on the book.
In true Seinfeldian fashion, Arthur Martine, the Victorian writer behind Martine’s Handbook of Etiquette, drew up a detailed taxonomy of the various species of bore. These include the Loud Talker, who “silences a whole party by his sole power of lungs;” the Malaprop, who masters the art of inappropriate conversation; and the Life-Sharer, who may be familiar to the Facebook addicts of today.