Chris (Simpsons Artist) will be publishing a book on positivity. Check out a few scenes from it in The Guardian. He has advice for how to handle everything from depression to hair nits. For more graphic art, we review the twenty-fifth anniversary edition of Drawn and Quarterly.
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. [...] One might say that New Yorkers like the folks in 'The Beach Boy' are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”
Out this week is Russian author Vladimir Sorokin's Day of the Oprichnik. Coinciding with that release, NYRB Classics is putting out Sorokin's Ice Trilogy. Georges Perec's The Art of Asking Your Boss for a Raise is now on shelves, as is Stewart O'Nan's Emily, Alone, in which he revisits the Maxwell family from his 2002 book Wish You Were Here.
Kory Stamper, one of the lexicographers responsible for Merriam-Webster’s dictionary, describes the pleasures and poetry to be found in the Third Edition’s “color definitions.” Take vermillion for example, which is listed as “a variable color averaging a vivid reddish orange that is redder, darker, and slightly stronger than chrome orange, redder and darker than golden poppy, and redder and lighter than international orange.” (Related: how colors got their names; who names colors what.)