Kafka‘s The Metamorphosis has officially hit the century mark, and over at The Guardian Richard T. Kelly celebrates with “100 thoughts for 100 years.” Pair with our own Matt Seidel‘s thoughts on rereading Kafka’s masterpiece, which you can find here.
Considering the sheer volume of references in the cultural air, you probably believe you have a pretty good grasp of Shakespeare’s Romeo and Juliet. To this I say, hold up there, Straw Man Reader -- Ye Olde Romance That Could has more to it than you think.
Those of you out there who grew up in the 90s will remember that every disaster movie brought a slew of novelizations into bookstores. Even if the movie in question did badly, you knew that at least two adaptations of the script would pop up on shelves. At Hazlitt, Will Sloan wonders if the age of the novelization is over.
"We all read from different places, different backgrounds, and my meeting with Proust or Woolf, or Lydia Davis or J. M. Coetzee, will not be yours, nor should it be. On the other hand I do believe reading is an active skill, an art even, certainly not a question of passive absorption. ... [so] there must be techniques and tools that everyone can use or try, even if we use them differently." Tim Parks explains how he reads for The New York Review of Books.
Michele Filgate was so terrified by Dave Eggers's The Circle that she quit social media for a week and wrote about the experience for Salon. "I don’t want to become like Mae, sacrificing real-life friendships for the allure of the screen. I want to be aware of the world around me. I want to write about that world. I want to feel more alive, even if that means being lonelier in the process." Pair with: our review of the novel.
Out this week: Brown Dog by Jim Harrison; a new paperback edition of Heidegger’s Poetry, Language, Thought; In the Night of Time by Antonio Muñoz Molina; a collection of Nick Hornby’s Believer columns; and a new biography of William and Dorothy Wordsworth.
"We get the book adaptations we deserve... We need to re-tell these stories over and over because each generation sees them in a different way, needs different things from them. We tell these stories again and again, their survival over time proof of their intrinsic value. People are writing new Zeitgeist-y things all the time of course, but we return to classics because the stories have endured for a reason." Sky Friedlander on the "Literary Period Piece."