“This is minor, but I noticed a few typos. For instance, at various points on pages 144 through 148 and also on page 202, you wrote, ‘All wokr and no play makes Jack a dull boy.’ And on page 308, it’s ‘All work and no play makes Jack a dull Jack.’ If that one’s intentional, it provides a nice break from the preceding 307 pages, and the levity is a nice contrast to the monotony.” Notes on a Jack Torrance manuscript.
Why do Americans read so few translated works? A lot of reasons come to mind, but one is that translated books are often the purview of small publishers, who don’t have the same marketing budgets as the larger companies in the industry. At The New Yorker's Currency blog, Vauhini Vara looks at the statistics compiled by Three Percent, a database at the University of Rochester that tracks publications of translated works in the country. Related: Oliver Farry's interview with the Portuguese writer António Lobo Antunes.
The second time Eudora Welty met William Faulkner, the latter brought the former out on a ride in his boat. She wrote a letter to Jean Stafford in 1949 that described the experience in entertaining detail. At The Paris Review Daily, you can read the letter in full. Pair with: James McWilliams on Faulkner’s novel The Reivers.
The Rona Jaffe Foundation has announced the six recipients of the 2015 Rona Jaffe Writers’ Awards, which are given annually to emerging women writers. This year's winners are Millions contributor Meehan Crist for nonfiction, Vanessa Hua for fiction, Ashley M. Jones for poetry, Britteney Black Rose Kapri for poetry, Amanda Rea for fiction, and Natalie Haney Tilghman for fiction. Past award winners include Eula Biss, Lan Samantha Chang, Rivka Galchen, Rebecca Lee, ZZ Packer, and Tracy K. Smith.
Speaking of France: whether or not you find him disagreeable, Michel Houellebecq is pretty much guaranteed to elicit an emotional response from readers. His new opinion piece in The New York Times is no different. Here’s a review of Houellebecq’s The Map and the Territory that refers to him as a “petty misanthrope.”
“'When I finish reading one of her stories, I always feel understood and somehow forgiven for being human,' Mr. George said. 'It may simply come down to wisdom. Like the greats, Edith has it.'" Steve Almond gives an overview of Edith Pearlman's writing and publication history for The New York Times Book Review in the wake of the release of her latest collection, Honeydew, which Josh Cook recently reviewed for The Millions.