“Writing on a computer can be terribly distracting, so sometimes I like to use a pencil and paper to jot down ideas. I always end up drawing a cartoon duck. Inevitably, the duck is holding a notepad, and I can read the ideas that he wrote down.” At Clickhole, six writers explain how they overcome writer’s block.
Back in 2013, Ted Gioia wrote a piece for The Millions about an old sci-fi novel that correctly predicted the future. Since then, he’s embarked on an ambitious project that expands on his interest in sci-fi, exploring how the most radical sci-fi writers of the sixties paved the way for much of modern fiction. As he puts it, “I focus on this era in the history of sci-fi because it laid the groundwork for one of the most important developments in current-day fiction.”
“There are dangers for an artist in any academic environment,” says former Poetry editor Christian Wiman, who now teaches at the Yale Institute of Sacred Music. “Academia rewards people who know their own minds and have developed an ironclad confidence in speaking them. That kind of assurance is death for an artist.”
J.L. Galache wanted to honor the recently deceased Iain Banks in a way befitting the man’s memory. So of course he named an asteroid after the author. With the help of Dr. Gareth Williams of the Minor Planet Center, Galache successfully lobbied the Committee for Small Body Nomencalture of the International Astronomical Union for Asteroid 5099 to be officially dubbed Iainbanks. (Bonus: John McIntyre honors Banks’s memory by reading through some of his best work.)
The Los Angeles Review will start reviewing one self-published book each month. They plan on applying “the same standards of good literature” to their reviews of self-published content as they do to traditionally published content.
Two weeks ago, Tod Goldberg came out with a new novel, Gangsterland, that centers on a hit man in the Chicago Mafia. At The Nervous Breakdown, you can read an excerpt of the novel, as well as one of their trademark self-interviews, in which Goldberg explains that for the past three years, he’s been “writing and writing and writing. But sometimes, that just means I’m not writing at all.” You could also read the author’s dispatch from AWP.