Recommended Reading: Maria Russo’s Times review of the new Dr. Seuss book. (If you haven’t yet, go check out Michiko Kakutani’s companion review-in-verse.
Guinea Pig, Actual Pig
Emily Dickinson, Harvard-Bound
Seth Perlow examines how Harvard claims the rights to Emily Dickinson's poems, a body of work that was unpublished when she died, more than 130 years ago.
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Something Beautiful
“If I could paint or compose music, I would want to finally arrive at what I felt was beauty for me and for others. I would trust that if I could make something that was beautiful, it would also be true, the way Charlie Parker is true or a Shostakovich cello concerto is true, and I feel the same way about writing. I try to make something beautiful out of language.” Fogged Clarity interviews Stuart Dybek about the writing process and Ecstatic Cahoots, which we mentioned in our 2014 Book Preview.
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On the Ladyblogosphere
“Behold the ladyblogosphere,” writes Molly Fischer for n+1, “for [Jezebel, The Hairpin, xojane, and Rookie] are not women’s blogs but ladyblogs, and ‘lady’ is their endemic verbal tic.” Emily Gould’s response is worth a read as well.
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Nice Wrinkles, Beckett
Portraits of authors composed of their own words? Why not.
Bourne Speaks Aussie
The Australian Broadcasting Company’s radio program, The Book Show, invited Millions staff writer Michael Bourne to speak on the book app for Jack Kerouac’s On the Road. To read Bourne’s Millions piece on the Kerouac book app, click here.
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Poetry Anonymous
There are a lot of reasons to start writing poetry, but McSweeney’s gives you a list on when to put the pen down. “You were witty that one time while drinking wine at book club” is not an excuse.
Jane at 40
The Austen Project, launched last year, asks prominent contemporary writers to reimagine Jane Austen’s classics in modern times. (Thus far, we’ve seen Joanna Trollope’s Sense and Sensibility and Val McDermid’s Northanger Abbey.) In perhaps the most significant adaptation yet, Curtis Sittenfeld has announced that her Pride and Prejudice will feature a 39-year-old Jane Bennet. After all, Jane (23 in the original novel), is “pretty much teetering on the edge of spinsterhood.”
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