“What stereotypes will they critique, destroy, or create? What, in other words, will the post-earthquake novel reveal about Haiti’s most recent losses, obstacles, and hopes for the future?” Patti Marxsen on the post-earthquake Haitian novel, over at The Critical Flame.
On his podcast, David Naimon spoke with poet Morgan Parker about her new collection, There Are More Beautiful Things Than Beyoncé. It’s a book “at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence,” Naimon says. (Bonus: Parker’s book was recently featured in Nick Ripatrazone’s list of five poetry collections you should buy.)
New this week: The Circle by Dave Eggers; Dirty Love by Andre Dubus III; How to Read a Novelist by former Granta editor John Freeman; Solo, a new James Bond novel by William Boyd; and “the first in-depth overview of Wes Anderson’s filmography” by the New York Magazine TV critic Matt Zoller-Seitz.
New this week: The Miniaturist by Jessie Burton; The Story of Land and Sea by Katy Simpson Smith; Lisette’s List by Susan Vreeland; Fives and Twenty Fives by Michael Pitre; Mr. Tall by Tony Earley; and Love, of a Kind by Felix Dennis. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
Vol. 1 Brooklyn‘s Tobias Carroll presents a roundup of the best new literature blurring the lines between writing and the visual arts, including works that made cameos in Paul Auster‘s Leviathan and Valeria Luiselli’s The Story of My Teeth. We reviewed the latter novel a year ago here.
We are all by now familiar with J.K. Rowling‘s elaborate, hand-drawn outlines for the Harry Potter series, but what if all plots could be simplified further? Down to, let’s say, graphs? And not even an infinite number of graphs, but just six? The Paris Review considers the work of Matthew Jockers, a literature professor who studies “the relationship between sentiment and plot shape in fiction.”