A striking photo of the Brontё sisters is not, in fact, a photo of the Brontё sisters. The women in the photo look a lot like them, but their hometown didn’t have much in the way of photography in the 1840s, and there isn’t any record of the Brontёs getting their photo taken. So how did the picture become known for being something it isn’t? At the LRB’s blog, Alice Spawls explains why. Pair with our own Edan Lepucki on Jane Eyre’s Mr. Rochester.
“There’s something about shopping for books where you’re open for anything. You’re faced with a wall of books, and you don’t know anything about most of them. At some point, it’s just you and the poems.” Carl Adamshick talks with the Los Angeles Review of Books about Powell’s and the “bookstore MFA.” Pair with our own Janet Potter‘s essay on loving bookshops.
The Syrian publishing industry is but one of the casualties in the nation’s ongoing civil war. “The whole of publishing is not more than 10 percent of what it was in the past,” says Samer al-Kadri who runs Bright Fingers Publishing House in Damascus.
“After years of reading, teaching, and writing about the book, though, I’ve come to believe that… our understanding of what is comic and what is serious in Huck Finn says more about America in the last century than America in the time Twain wrote the book.” Andrew Levy writes for Salon about childhood, race, and “dedicated amnesia” in Mark Twain‘s controversial classic.
“I hate the idea that you must write every day because I really can’t do that. Sometimes the aching bones in my body will not allow it.” Electric Literature interviews three writers—Keah Brown, Esmé Weijun Wang, and Jillian Weise—about disability, publishing, and accessibility. From our archives: Wang’s 2016 Year in Reading entry.