“But where Smiley condescended, others were enthralled. Salmon Rushdie waxed lyrical, John Updike found it ‘stunning,’ Susan Sontag hosted him at dinner parties. Gabriel Garcia Marquez dubbed him, simply, ‘the Master’ – high praise from the founder of magical realism, but Kapuściński seemed to one-up Garcia Marquez by injecting magic into real politics, and elucidating thereby the human tension and bewilderment connected to power that traditional journalism left hidden.” Ryszard Kapuściński: novelist? Journalist? Or something else entirely?
If you haven’t had a chance to finish perusing the New York Times Style Magazine’s ‘The Greats’ issue make sure you at least find the time to read Dave Eggers profile of Year in Reading alum Chimamanda Ngozi Adichie. She is on one of their seven covers and if you’ve ever wanted to know about her family and what kind of reading she wants to do more of, this is the interview for you. “‘That boy,” she said, and sighed. She was still thinking about Edwyn. ‘There was something so clean and pure and true about his writing, don’t you think? Increasingly I find that that’s the kind of thing I want to read.'”
There’s been an incredible amount of both excitement and controversy ever since Harper Lee‘s publisher announced the upcoming publication of Go Set a Watchman, the reclusive author’s second novel. But in a piece for Ploughshares Cathe Shubert wonders “Why not marvel at what all this hullabaloo in the news really signifies: that books still matter, deeply, to the American public–especially books that spark dialogue about interracial relations, justice, and, as Atticus would say, walking in another person’s shoes.”
Because its administrators believe “self-publishing is now a highly successful and respected business model for both new and established authors,” The University of Central Lancashire has created a Self-Publishing Masters program. (Clearly they didn’t read Edan Lepucki’s Millions article from 2011.) According to the program’s official website, “this dynamic course … reveals how to make self-publishing work for you.”
Among Jorge Luis Borges’s observations about soccer were the following: “Soccer is popular because stupidity is popular;” soccer is “aesthetically ugly;” and “soccer is one of England’s biggest crimes.” That is to say: his distaste is well documented. But why did he feel this way? Millions contributor Shaj Mathew takes a look.