Recommended Reading: Daniel Green on Harold Jaffe’s Induced Coma.
Docudrama
Secret Space
Recommended Reading: Over at Aeon, Tiffany Jenkins writes about the importance of secrets for a child’s development and in children’s literature.
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Writers Pensions: Should We Have Them, Too?
More than 80 published writers in Buenos Aires receive monthly pensions meant to strengthen to “vertebral column of society.” Sums can reach nearly $900 a month.
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Tuesday New Release Day: Grossman; House; Gaffney; Montefiore; Tanweer; Leslie-Hynan; Brooks; Gordon; Livings; Schottenfeld; Kennedy; Bertino; Gay
Out this week: The Magician's Land by Lev Grossman; The Kills by Richard House; When the World Was Young by Elizabeth Gaffney; Secrets of the Lighthouse by Santa Montefiore; The Scatter Here is Too Great by Bilal Tanweer; Ride Around Shining by Chris Leslie-Hynan; Painted Horses by Malcolm Brooks; The Liar’s Wife by Mary Gordon; The Dog by Jack Livings; Bluff City Pawn by Stephen Schottenfeld; Beneath the Neon Egg by Thomas E. Kennedy; 2 A.M. at The Cat’s Pajamas by Marie-Helene Bertino; and Bad Feminist by Year in Reading alum Roxane Gay, who also came out with a novel a few months ago.
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An Interview with D.T. Max
D.T. Max, author of Every Love Story Is a Ghost Story, the recently released biography on David Foster Wallace, discusses writing his much-anticipated look at the late author's life. Further whet your appetite for DFW's biography with our exclusive look at the book's opening paragraphs.
A Space Odyssey
Arthur C. Clarke’s science fiction is becoming reality. In 2014, a few strands of the late author's hair will travel on the first solar-powered spacecraft, which is named after his story, “Sunjammer.”
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Sticks and Stones
As a child, Xiaolu Guo hunted birds and toads to survive. Now, as a writer in Britain, she's written a memoir about her difficult childhood, which you can read more about in this review in The New Statesman. Sample quote: "Perhaps it is no coincidence that the reason that Guo gives for deciding to write in English is to be free of Chinese government censorship, a process that she describes as the wearing down of a rock’s sharp edges to a smooth pebble."