Sometimes good writers write very badly. As evidence, Literary Hub has collected samples of bad writing from the likes of Year in Reading alum Isaac Fitzgerald and Daniel Clowes, who we interviewed here.
Bad from Good
Phonies
The case against The Catcher in the Rye. But what will all of the hip high school teachers assign now? (Our own Garth Risk Hallberg disagrees.)
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“No law books, no text books, no science books. ONLY POETRY!”
The Paris Review profiles the Grolier Poetry Book Shop, located in Cambridge, MA and one of two all-poetry book stores in the nation. And speaking of bookstores – if you’re visiting Boston for AWP 2013, Ploughshares has got a whole list of literary landmarks for you to explore.
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White Lies
“As adults, we should hold each other’s work to high standards, and our own work to the highest of all. As writers, we shouldn’t settle for a single pale line. But before the poem is written, I say, we should lie to ourselves, the way we lied to that winded child. Before composition, we have to be gods.” Alex Chertok writes about literary pep talks for the Ploughshares blog.
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Are You Experienced?
Who’s the Jimi Hendrix of Wordstock? Though it is unlikely to become a lasting cultural landmark the caliber of Woodstock, the recent Wordstock festival in Portland was nonetheless a runaway success for its 6,000 attendees. This piece on the London Book Fair has a decidedly different tone.
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Fanged
If you’re wondering why you should read this new essay on Jack London, consider this sentence: “Born in 1876, the year of Little Bighorn and Custer’s Last Stand, the prolific writer would die in the year John T. Thompson invented the submachine gun.” In Smithsonian Magazine, Kenneth Brandt explores the brief life of the author.
“And then later how we were terrible again”
Recommended Reading: Guernica’s excerpt from Matt Bell’s upcoming novel In the House upon the Dirt between the Lake and the Woods.
How to Be A Writer
“Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process.” For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.
David Du-cow-vny
If I told you a famous actor wrote a book called Holy Cow: A Modern-Day Dairy Tale, would you be able to guess the person’s name? The truth is out there.
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