In 2002, David Friedman thought of a question he wanted to ask Oliver Sacks, on the topic of 3D glasses and “pseudoscopic” vision. A week after he sent the letter, he received a typewritten reply, complete with diagrams. At The Morning News, a copy of the letter he received, along with background.
“Tarzan know, Tarzan know: ‘Mood? Me want to write like Warren Buffett. Mood — that for house DJ or Al Green.'” Here is Tarzan’s Guide to Elliptical Style For Effective Business Writing from the good people over at McSweeney’s.
The lineup for the 2013 PEN World Voices Festival of International Literature has been announced. The festival will commence on April 29th with a reading “about the notion of bravery” from three writers – including Millions contributor A. Igoni Barrett.
“I’ve come to understand that I’ll rarely experience that first rush of discovery again, and perhaps that’s the problem with re-reading. It reminds us both of where we’ve been and where we can’t go again.” Sarah Seltzer wonders why do we reread books as children but not as adults? Pair with Lisa Levy‘s essay on “The Pleasures and Perils of Rereading.”
Who’s the Jimi Hendrix of Wordstock? Though it is unlikely to become a lasting cultural landmark the caliber of Woodstock, the recent Wordstock festival in Portland was nonetheless a runaway success for its 6,000 attendees. This piece on the London Book Fair has a decidedly different tone.
We thought we had a better chance of seeing Odin than Neil Gaiman’s American Gods on TV, but after the HBO deal fell through, the novel is finally being adapted for the small screen by FremantleMedia. Bonus: Gaiman’s Anansi Boys is also being adapted into a BBC miniseries by RED. To brush up on Gaiman’s interest in mythology, read our review of The Ocean at the End of the Lane.