“Even with such apparently juicy material, blithe self-exposure quickly grows dull. Their mutual trust comfortably established, Marsha, Emily, and Vincent unleash endless confession, allowing one another to stand in for the analysts they aren’t seeing over the summer. Nobody has to coax anything out of anyone.” On the age of social media and the novel Talk by Linda Rosenkrantz.
We encourage you to join Electric Literature’s #ReadMoreWomen campaign. Their aim is to “challenge you to increase your consumption of women and nonbinary authors, and tweet at @ElectricLit with the hashtag #readmorewomen to tell us what you’re reading or recommend a book.” Sounds good to us!
The Atlantic discusses the link between science fiction and colonialism. “The fact that colonialism is so central to science-fiction, and that science-fiction is so central to our own pop culture, suggests that the colonial experience remains more tightly bound up with our political life and public culture than we sometimes like to think.”
“Long before feminism made fashion a guilty pleasure, my first experience of the sisterhood among strangers took place in a communal dressing room.” Judith Thurman writes for The New Yorker about Women in Clothes and her experiences in thrift stores and clothing swaps. For more about the connections between feminism, dressing and literature, check out Rachel Signer‘s Millions review of the same anthology.
Alexander Chee posts the list of texts he used to teach his seminar on the graphic novel at Amherst – the graphic novel “warhorses,” as he calls them – and explains why they are the essential books for those interested in getting to know the form. (via The Rumpus)
What if the Hulk kept a diary? Marvel Entertainment’s new young adult books mix superheroes with chicklit. The She-Hulk Diaries and Rogue Touch, featuring the X-Men super heroine as a teenager, are bringing romance back to comics. The biggest surprise, they’re actually good, according to critics at Wired.
“Even though journalism is a good profession, for me it was very constraining. It focuses on the surface, banalities, events, and I wanted to spend a longer time talking to people in depth, and to ask them about truly important things, like love, death, and war.” This interview with Svetlana Alexievich at The Nation is fantastic. Check out our own profile/interview with Alexievich from earlier this summer.