“Even with such apparently juicy material, blithe self-exposure quickly grows dull. Their mutual trust comfortably established, Marsha, Emily, and Vincent unleash endless confession, allowing one another to stand in for the analysts they aren’t seeing over the summer. Nobody has to coax anything out of anyone.” On the age of social media and the novel Talk by Linda Rosenkrantz.
“This is a story about a woman who was erased from her job as the editor of the most famous literary magazine in America.” For Longreads, A.N. Devers writes about Brigid Hughes, the second editor of The Paris Review, who has been all but scrubbed from the magazine’s history. See also: Dever’s 2011 Year in Reading entry.
The 2016 election will never truly end, at least not in the literary world. Buzzfeed noted that “a series of recent campaign books have enjoyed monster debuts, demonstrating a voracious reader appetite for behind-the-scenes looks at one of the most surprising elections in history”. And before you think this trend will end any time soon, Buzzfeed lists some up and coming titles that will be published later this year or sometime next year. “The success of campaign books come during a tough period for the publishing world, where industry sources have described the difficulty of getting authors on television or attracting media attention in a frenzied environment focused on Trump.” We’re all about the publishing industry doing well but this seems like a slightly unhealthy obsession for both readers and publishers.
The publishing industry is roughly 86% white. Yet comparative titles, or “book comps,” are whiter still, the L.A. Review of Books has found, arguing that this makes it exceptionally difficult for writers of color to place their books with imprints at Big Five publishers. “Comps,” in other words, “perpetuate the status quo.” Here’s how.
It goes without saying that Hitler is a taboo subject in Germany, which is why it’s remarkable that a German novelist, Timur Vermes, has caused a sensation with his book about a time-travelling Fuhrer. In the Times, Janet Maslin reviews the first English translation of Look Who’s Back. You could also read Merve Emre on Ben Urwand’s book about Hollywood and the Nazis.
German-born footballer Bastian Schweinsteiger might just be living inside the D.H. Lawrence story, “The Captain’s Doll”. Schweinsteiger (who, it is helpful to mention, is the captain of his team) is suing a Chinese toy manufacturer for producing a doll that bears too striking a resemblance to the Manchester United midfielder. Oh, and did we mention that the “figurine” is also wearing a Nazi medal?
There’s been a lot of talk about women breaking into traditionally male fields and hobbies, but in a blog post at The Missouri Review Caitlin Rosberg laments the continued underrepresentation of female characters and creatives in comic books. She then explores the work she’s doing to improve the situation by publishing women writers and artists in works like the Ladies’ Night Anthology. As she says, “I’m motivated in no small part by being able to say to those ‘make your own’ strawmen, ‘I do. I’m an editor contributing to published comic books. Are you?'”