Anyone who’s majored in the humanities has likely heard warnings that it’s better to major in the sciences. If, as many would have it, we live in a scientist’s world, what place is there for the arts? At the Ploughshares blog, Cathe Shubert finds a place for writers in a STEM-obsessed society. You could also read Cathy Day on the job prospects of writers.
Airy Fairy
Boys Might Cry
Look, we get it. You’re as sad as the rest of us that Frank Ocean’s new album didn’t actually drop on Friday. Luckily, there’s a fantastic essay over at The Atlantic which examines Ocean in the context of Harper Lee and the myth of the reclusive artist: “Channel Orange, like Mockingbird, is an unapologetic masterpiece for people defining themselves at the intersection of lived experience and possibility.”
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2011 Best of Plagiarism
Q. R. Markham‘s heavily plagiarized book Assassin of Secrets somehow made it onto Kirkus Reviews‘ “2011 Best of Fiction” list. (Saved here in case they take it down.) Interestingly, the link doesn’t appear to lead anywhere. (via)
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Occupy a Classroom
NYU students can take a 4-credit undergraduate course on Occupy Wall Street and America’s debt issues this spring. According to the university’s website, this year’s tuition costs start at $19,672.
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I would like to read one from Maury Povich, no lie.
A report from Book Expo America: “Celebrity memoirs will survive Armageddon.”
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Unpredictable Lit
“These people may not take you seriously. And your boss might not either. Or your dentist or your best friend from middle school. But you who does take you seriously? Dictators. Dictators take you very seriously. Mao Zedong and Joseph Stalin, Pol Pot and Augusto Pinochet, all rounded up writers and artists in short order. They could not afford to have the unpredictability of literature at large while they were trying to create a totalitarian state.” Wendy Willis on subversion through writing for The Rumpus.
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