Anyone who’s majored in the humanities has likely heard warnings that it’s better to major in the sciences. If, as many would have it, we live in a scientist’s world, what place is there for the arts? At the Ploughshares blog, Cathe Shubert finds a place for writers in a STEM-obsessed society. You could also read Cathy Day on the job prospects of writers.
Airy Fairy
Verse Play
“A must-read for: anyone who has grappled with mood disorders/And: anyone interested in the nature of creativity/And: anyone interested in insightful stories told with honesty, pathos, and wit.” On Ellen Forney’s Marbles: Mania, Depression, Michaelangelo & Me.
We hold these truths to be self-evident.
A “typo” in the Declaration of Independence has been contributing to “a routine but serious misunderstanding” of the document, says researcher Danielle Allen.
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Our young robot overlords
Looks like our robot overlord is going to be a 13-year-old boy: the Turing Test has been passed for the first time by a bot simulating a preteen, making history for artificial intelligence research and teenagers alike. "Our main idea was that he can claim that he knows anything, but his age also makes it perfectly reasonable that he doesn't know everything," researchers explained.
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We Need More Prizes. We Need Better Prizes.
Following the launch of a new £10,000 “innovative” literary prize by Goldsmiths College and the New Statesman, Chad Post takes a look at the current state of American literary awards. His opinion? “America is The Worst for trying to equate popularity with quality.”
Yuks of the North
“A Canadian author, a farmer, and a First Nations teenager went fishing. The farmer mostly sat there quietly while the author and the teenager tried to find common ground, even though the gulf between them felt massive.” A Canadian literary scene joke book.
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The Surreal World
Recommended Reading: Dean Young's poem "Why I Haven’t 'Outgrown Surrealism,' No Matter What That Moron Reviewer Wrote" for Plume.
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A to the Future
We take it for granted that our language will grow and change. But one thing we think less often about is that our alphabet is subject to the same forces. Herewith, Carlos Lozada reads Michael Rosen’s new book Alphabetical, which delves into the origins and future prospects of our writing system.
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The Lives of Movie Characters
“Writing about film applies pressure to how ekphrastic writing can be possible, let alone evocative–and further, highlights questions that pertain to all kinds of writing, from honing poetic imagery to composing entire fictive worlds: how can writing engage or transform the fidelity of its subject(s)? How do you write about something so simultaneously ephemeral and fabricated, and yet intuitively, enduringly ‘real’?” For Ploughshares, Veronica Fitzpatrick on writing about film. Pair with this Millions piece on literary magazines in film and TV.