Sarcasm makes the Internet go round. No, seriously, it basically does, and over at The Toast a linguist examines some of the strategies writers have developed, or are trying to develop, to communicate that sarcasm through writing, without the benefit of an eye-roll and a different tone of voice.
The Millions turned nine years old this past weekend. I want to thank the writers, editors, and interns for another great year. And I especially want to thank our smart, passionate, and engaged readers for continuing to make The Millions such a fulfilling project for all of us.
“There’s this sense of guilt that my writing career is going well because black people are being killed. I’ve reached a point where I don’t know if I have anything new to say. It’s the same narrative over and over.” Debut novelist Brit Bennett gets profiled for The New York Times about The Mothers, which we included in the list of October book releases we're most excited about.
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
In memory of Mark Strand, who passed away on Saturday, the Paris Review Daily published a manuscript page from “A Piece of the Storm,” a poem that appeared in Strand's collection A Blizzard of One. They also included links to several poems of his they published, as well as his Art of Poetry interview.