George Bernard Shaw had a strange relationship with Nietzsche. Alternately envious and dismissive of the German philosopher, Shaw once said he wanted to be an intellectual in Nietzsche’s mold, though he also felt Nietzsche’s thinking was addled and self-absorbed. In an essay for The New Statesman, Michael Holroyd tries to make sense of Shaw’s views.
Uber Nichts
Tarantino on Writing
Say what you want about Quentin Tarantino; the man thinks like a writer. You can hear him doing so out loud on the current episode of KCRW’s The Treatment, with Elvis Mitchell.
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Invisible Together
“It was a remarkable scene, to witness young people collectively shatter one another’s sense of social isolation.” Clint Smith for The New Yorker‘s Page-Turner blog about teaching Invisible Man to a high school class full of undocumented immigrants.
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The AOL Layoff Carnage
At The Awl, a former AOL freelancer reports on the layoff carnage there in the wake of the HuffPo acquisition.
Seeing Sound
Have you ever wondered what a music note might look like? Now you have, so go and check out Resonantia by artists Jeff Louviere and Vanessa Brown, a work which tests the limits of “cymatics—the patterns that sound waves induce in physical objects.” One of Louviere’s projects involved photographing the “shapes” of each of the 12 notes. Spoiler alert: G looks like a devil.
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Hawthorne and Melville
“Melville fell in love with the dashingly handsome older author the first time they met, and his forbidden passion drove him to create the symbol of impossible longing that now represents American literature to the rest of the world: the white whale.” On Herman Melville’s love for Nathaniel Hawthorne. Pair with a review of Hawthorne’s The Marble Faun.
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