“The wish to be a writer, and the will to be one, solve nothing about how you will live, and don’t even solve anything about how you will write. You have given yourself the vaguest designation.” Kristy Eldredge writes for The Rumpus about drawing inspiration from the unconventional career choices of Year in Reading alum Geoff Dyer, including the New York Times column he almost never wrote. Pair her essay with our own Janet Potter‘s review of Dyer’s latest full-length work, Another Great Day at Sea.
The Vaguest Designation
Double, double, toil and trouble
The summer issue of Lapham’s Quarterly is here; The latest issue is magic themed and offers a smorgasbord of writing on sorcery, metamorphosis, and visitations. Most magic of all, much of it is available online for free!
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A Censor’s Tour
Recommended reading: Peter Hessler writes about spending a week on tour with his Chinese censor.
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More Money More Problems
Spend too long in Screenplay Fantasy Land, and you’ll incur Screenplay Fantasy Debt.
To the Edge of Sanity
Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.
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Septuagenarian Akutagawa Prize Winner
Paging Sonya Chung and the rest of the Bloom gang: one of this year’s Akutagawa Prize winners is a seventy-five year old woman named Natsuko Kuroda. How’s that for a Post-40 Bloomer? (h/t Dustin Kurtz)
You Down with OED? Yeah, You Know Me.
“I’ve been hailed as a hero (hipster poets love me), gotten the rock star reception (by research librarians), and been dismissed with derision, thought possibly to be deranged,” says Jon Danzinger. So what’s his job, you might ask? He’s a researcher for the Oxford English Dictionary.
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Reality in Fantasy
“When you go to Narnia, your worries come with you. Narnia just becomes the place where you work them out and try to resolve them.” Lev Grossman writes for The Atlantic about The Lion, the Witch and the Wardrobe and why fantasy isn’t escapism. Pair with our own Edan Lepucki‘s review of Grossman’s latest novel, The Magician’s Land.
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