“The wish to be a writer, and the will to be one, solve nothing about how you will live, and don’t even solve anything about how you will write. You have given yourself the vaguest designation.” Kristy Eldredge writes for The Rumpus about drawing inspiration from the unconventional career choices of Year in Reading alum Geoff Dyer, including the New York Times column he almost never wrote. Pair her essay with our own Janet Potter‘s review of Dyer’s latest full-length work, Another Great Day at Sea.
“Once certain hurdles are cleared (a bit of talent, years of work), being a writer is like flying a kite in a storm in a field full of people flying kites in a storm.” Garth Greenwell on writing his first novel, the importance of failure, and giving oneself privacy to make mistakes. Pair with Meredith Turits’s Millions piece, featuring six writers looking back on their first novels.
How can science fiction writers invent aliens and entire planets but not include multifaceted characters of color in their fiction? At The Atlantic, Noah Berlatsky discusses the genre’s equality problem and analyzes how race is viewed in everything from The Left Hand of Darkness to Do Androids Dream of Electric Sheep. “When that future unthinkingly reproduces current inequities, it seems like both a missed opportunity and a failure of imagination.”
Women writers of color can apply for the two-week Writer’s Colony at Dairy Hollow, which is being organized by Jack Jones Literary Arts, and will take place between October 16-30, 2017. The retreat will feature daily master classes with agents, editors, and publishing professionals, and comes with a $1,050 stipend. Applications are open until May 1, 2017.