“The problem is that young children have terrible taste and enjoy garbage. Another problem, which compounds the first problem, is that they want to hear the same books hundreds of times in a row. So for all the joys that storytime can offer, it frequently entails a kind of dismal self-abnegation that’s too excruciating even to describe as tedium—an actively painful sense of my precious time on earth being torn from my chest and tossed into a furnace.” Gabriel Roth writes about the terrible Poky Little Puppy for Slate, and his complaints pair well with Jacob Lambert‘s Millions series, “Are Picture Books Leading Our Children Astray?” and “Again, I Ask…“
“Save everything, she said. Everything. When your archive gets bought, they pay by the cubic foot.” Sarah Manguso in The New York Times about drafts in an era of digital writing. And while we're on the subject , here's what Ben Fountain, Emily St. John Mandel, Emma Straub and a passel of other writers have to say about writing that elusive first draft.
After some initial mystery leading up to publication, Michael Lewis's new book Flash Boys is here and its subject is high-speed trading (sometimes called "high-frequency trading) that uses supercomputers and complex trading algorithms to attempt to generate profits through brute force. Lewis has become the most popular writer on Wall Street, giving readers a look behind closed doors. The Times has an excerpt of Flash Boys, while Bloomberg has more detail.