You may have heard that the pioneering jazz musician Ornette Coleman died last week at the age of eighty-five. As a composer, he was known for his odd melodies, which reliably tested the boundaries of what jazz could accomplish. At The Paris Review Daily, two musicians and writers look back on his legacy.
“Our Aesthetic Categories, though, argues on behalf of aesthetic experiences that aren’t quite so awe-inspiring or rare. Sitting before your computers or walking the streets of your town, you don’t encounter beautiful things as frequently as you do interesting, momentarily arresting ones—and as for the sublime, when was the last time you experienced catharsis? Instead, [Sianne] Ngai considers our ‘minor’ aesthetic experiences, the ones that make up our day.” In the era of adorkable and nerd chic, Slate looks at Our Aesthetic Categories: Zany, Cute, Interesting.
The New Yorker announced that their literary blog, The Book Bench, will henceforth be called Page-Turner. The name change signals a “building on the work of the Book Bench blog, and expanding on it.” In an inaugural post, Ryan Bloom translates the deceptively simple first line of The Stranger.
Harper Perennial is pairing the expansive resources of a major publishing house with the exciting risks of an indie press. Could this magical formula catch on at other houses?
David Mitchell, when questioned about his language and genre experiments, particularly in Cloud Atlas and The Thousand Autumns of Jacob de Zoet, responds: “It’s a bit like asking a duck billed platypus if it should be considered a mammal or a bird.” The Millions also profiled Mitchell, though we never settled either way on the bird/mammal issue.