In Wayde Compton’s The Outer Harbour, a series of short stories take the reader from the present day to 2025, exploring a near-future Vancouver in which things grow steadily more surreal. As Emily Oppenheimer writes, it’s clearly a work of speculative fiction, yet the setting resembles our own world in uncanny ways. Sample quote: “Compton achieves the more troubling, yet ultimately more satisfying, goal of portraying the fantastical as something that is very much rooted in what we think we already know about ourselves and our world.”
Cole Stryker‘s Epic Win for Anonymous hasn’t garnered him a lot of positive feedback from members of the infamous image board 4chan. It did, however, result in lots of pizzas being delivered to Housing Works’ Bookstore on the night of its launch party. The author later did an “Ask Me Anything” session with Reddit and explained the pizza delivery among other things. What do you think will happen now that two authors have announced a forthcoming book on Anonymous itself?
Recommended Viewing: Year in Reading alumna Rachel Fershleiser’s TED talk “Why I heart the Bookternet” on building reading communities through the internet. “The more tools that we get for communication and collaboration, the more we’re taking reading and writing — these really solitary pursuits — and building communities around them for connection and conversation.”
“The Google Translate results feel less and less lucky as the sentence progresses, and with each new roll of the search engine dice.” Over the six years that Esther Allen was translating Argentine novelist Antonio Di Benedetto‘s classic, Zama, she would occasionally run lines through Google translate as an experiment in the ersatz. Pair with translator Alison Anderson on “Ferrante Fever” and what a great translation adds to the original work.
According to sources for Vulture, HBO has ordered a television pilot based on Tom Perrotta’s The Leftovers, which “takes place in a world still reeling from a Rapture-like event three years earlier.” The project will be managed by Lost co-producer Damon Lindelof.