From the Telegraph, and only four months early for Halloween, comes a list of the most evil children in literature, from Graham Green‘s Pinkie Brown to John Steinbeck‘s Cathy Ames.
The Most Evil Children
Total Eclipse
“I turned back to the sun. It was going. The sun was going, and the world was wrong.” Longreads invites us to revisit Annie Dillard‘s classic essay “Total Eclipse,” from her new collection, The Abundance: Narrative Essays Old and New.
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Sink Your Teeth Into These Reads
Carolyn Kellogg rounded up a great list of “Terrible Beach Reads,” and it serves as a nice companion to Rachel Meier’s list of “Burnt-out Summer Reads.” However, if you’re looking for a few more titles that’ll keep you out of the water, allow me to suggest my all-time favorite shark-centric books: Susan Casey’s The Devil’s Teeth, Michael Capuzzo’s Close to Shore, and Doug Stanton’s In Harm’s Way.
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Elmore Leonard’s Detroit
Does a writer make the city or does the city make the writer? At Grantland, Michael Weinreb discusses why Elmore Leonard is the ultimate Motor City writer and discovers Leonard’s Detroit. “Without his books, the city would still have suffered the same hellish decline. But because of him, that suffering was rendered into an art form all its own.” Pair with: Our own Bill Morris writing against Detroit’s ruin porn reputation.
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The Millions Socializes
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Riding Trains Across the Heartland
We’re glad to hear that this autobiographical essay from David Biespiel at The Rumpus is only the first in a sequence of autobiographical portraits to be published on Poetry Wire on his upbringing as a poet.
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De Sangue
Blood-Drenched Beard, a new novel by Daniel Galera, is poised to spark a newfound interest in Brazilian literature abroad, argues Chris Frey. In The Globe and Mail, he writes that Galera has forged an original voice, one recalling Borges and Murakami but still distinctly his own. For more on the book, you could read our review.
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Hitchens on Literary Feuds
With Naipaul and Theroux making nice, the Times asks Christopher Hitchens what makes for a good literary feud these days: “A really first-rate bust-up must transcend the limits of ‘an entertaining side show’ and involve playing for high moral and intellectual stakes”
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