In theory, the author of a great novel is invisible to the reader, letting her stories and characters speak for themselves. In practice, however, it can help for an author to make herself known, as explained by Tim Parks in this essay. Sample quote: “We have the impression that if someone ever did find the full story of his life, we would immediately recognize the person we had in mind.”
Show and Tell
“& other inconsiderate lilies”
Recommended Reading: “The Original Self-Pleasure Equation” by Susan Lewis.
It’s not plagiarism… it’s angloglobalisation?
On the London Review of Books blog, Kaya Genç makes the case that the similarities between the successful Turkish author Elif Şafak's work and Zadie Smith's books is a fact of Turkey's shifting cultural values rather than plagiarism: "Istanbul, the city Shafak returned to after writing her book in London and the setting for many of her earlier novels, resembles London more and more." For a bit of context, here's Lydia Kiesling's rundown of the initial scandal.
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Writing From Beyond the Grave
Do famous authors owe it to the reading public to publish their unfinished works after death? Casey N. Cep traces the contentious history of writers' estates.
Feral Houses
Cities like Detroit and Cleveland aren't dying, Anne Trubek says. Growth is everywhere.
Gun Fight at the O.K. Bookstore
Stick 'em up, partner! In a confusing marriage of literature and implicit violence, a bookstore in Austin, Texas is offering a ten percent discount to any customers openly carrying a handgun in their establishment.
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