Fancy yourself a trivia buff? This quiz might be your undoing. In The Guardian, you can test your knowledge of prominent bands in fiction, from real-life bands that reference books to bands in famous novels.
Rock On
Wait, What Was I Writing About?
In a fantastic piece for Full-Stop, Jesse Miller checks out Nicholas Carr (whose book was picked in Jonathan Safran Foer’s Year in Reading), Paul La Farge, David Foster Wallace, and our diminishing ability to concentrate.
A Foreign Body within Oneself
Over at the Masters Review, Marjorie Sandor writes about the uncanny in literature and film, the origins of the word, and psychology. “Uncanny. Look it up in a standard collegiate dictionary, and you’ll get a brief, unhelpful definition. Seemingly supernatural. Mysterious. [orig. Sc & N. Engl.]. But the slippage has already begun. Seemingly.”
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The Best of Last (Crusade)
I’m shocked that this is even open to debate. Emily Asher-Perrin on why Indiana Jones and the Last Crusade is the best of all Indy films.
Portraits of BEA
Brandon Stanton, the man behind the candid portrait blog Humans of New York, takes on BookExpo America in The Humans of BEA, A Photo-Essay.
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Something Borrowed, Something Stolen
Is Kenneth Goldsmith continuing to lead the charge in a revolutionary poetry movement? Has he overstepped his bounds? Is conceptual poetry dead? Alec Wilkinson for The New Yorker and Cathy Park Hong for The New Republic offer their opinions.
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Must be all that Schadenfreude
Eating your manuscript, deliberately slicing open your own head during a reading, titling your work “Baby Fucker.” These stunts are par for the course during the competition for the Ingeborg Bachmann Prize, a prestigious German literary award.
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