RIP Culture
You Faking Fakers
This quick-and-dirty Times article about a crackdown on fake reviews includes one of the best sentences to appear in the Gray Lady of late: “Faking reviews often begins with faked reviews of the company faking the reviews.”
New Zadie
Here's a book that's sure to be included in our second-half installment of our Most Anticipated books: Zadie Smith's NW, which traces the lives of several people who make it out of one of Northwest London's housing estates. The promotional copy calls it a "delicate, devastating novel of encounters."
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Bad Credit
As we noted here recently about the rise and fall of Motown, the real issue was money -- who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label's first hit in 1959, "Money (That's What I Want)," tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong's story is the story of Motown boiled down to its bitter, ironic essence.
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Can’t Stop Won’t Stop
"I couldn’t put the books down. Now that so many of us complain of diminished attention spans— our own as well as our companions’—it’s worth asking what has made millions of readers willing to suspend their disbelief—to suspend their selves—for thousands of pages." Why have so many people gone gaga for Ferrante and Knausgaard? We have our own theories as well.
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