It’s hard to describe exactly who Delmore Schwartz was, for the simple reason that he did so many notable things. The man wrote poetry, edited The Partisan Review and The New Republic, and wrote a canonical short story at the age of twenty-five. In The Nation, Vivian Gornick makes the case for a new accomplishment, arguing that “Delmore Schwartz is to Jewish-American writing what Richard Wright is to African-American writing.” You could also read Gabriel Brownstein on life as a Jewish writer.
New this week: Pushkin Hills by Sergei Dovlatov; The Divorce Papers by Susan Rieger; Hyde by Daniel Levine; Cambridge by Girl, Interrupted author Susanna Kaysen; Decoded by Mai Jia; Visible City by Tova Mirvis; The Moon Before Morning by W.S. Merwin; and Caribou by Charles Wright.
This just in! Senator Barack Obama has “palled around” with the notorious constitutionalist Richard Posner.The good folks at Hotel St. George Press interview Taryn Simon, the artist behind the brilliant Index of the Hidden and Unfamiliar.Jonathan Franzen’s remembrance of David Foster Wallace is quite moving……as are the Elizabeth Bishop stanzas that conclude this sterling essay on her lifelong correspondence with Robert Lowell.Alas, the only way to offer you recollections of the late George Plimpton was to link to The Daily Beast.That long profile in Rolling Stone of DFW by David Lipsky that everyone’s been talking about is now online.Venerable fishwrap The Christian Science Monitor goes online only with its daily edition.Ten of the best circadian novels: “novels that fit all their action into a single day.”Sarah Palin and code-switchingWe may never tire of “This Is Just to Say” parodies.Our revels, not quite ended?: Royal Shakespeareans read celebrity porno dialogue (headphones recommended for those at work).Half a year late, Russia! Magazine has made its translation guide to Russian literature available online.Over at More Intelligent Life, you can find an audio interview with a Booker Prize judge.Finally, MiL‘s parent publication, The Economist makes its endorsement.
Can’t get enough of Orange is the New Black? Neither could The Missouri Review. Their new blog series, Literature on Lockdown, shares narratives from those who teach or write in prisons. This week’s post comes from Ace Boggess, a poet who spent five years in a West Virginia prison. “One thing about being a writer in prison is that you have not lost everything. You still have that driving need to speak whatever truth you know in whatever way you can. No one can take that away from you, not even the State.”