It’s been seventeen years since Judy Blume published a book for adult readers. Her latest, In the Unlikely Event, brings that streak to an end. In the Times, Caroline Leavitt reviews her new book, which depicts a small town in the fifties reeling in the wake of three consecutive plane crashes. FYI, our own Lydia Kiesling wrote an essay on Blume’s book Forever.
MacArthur Genius™ Deborah Eisenberg, whom we’ve often celebrated here, publishes her 1,000-page Collected Stories this month – we ardently commend it to your attention. If you’ve read ’em all already, get your Eisenberg fix at the NYRB, where she reviews Dezsõ Kosztolányi‘s “quiet, shattering, perfect” novel Skylark.
Good news! According to Vinson Cunningham’s new essay in The New Yorker, beauty merely “masks and perfumes … it freezes moral categories in place,” whereas ugliness, on the other hand, “is sometimes the closest thing to the truth.” Wait, is that good news? Bonus: Vinson wrote a Year in Reading piece for us.
“Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business….” Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)
What did we read in the Obama era? Christian Lorentzen has some answers. Apart from individual books like The Flamethrowers and The Art of Fielding, he comes up with some genres that have dominated the past eight years, including autofiction, works of trauma and fables of meritocracy. (You can probably guess where Leaving the Atocha Station ends up.)