It’s been seventeen years since Judy Blume published a book for adult readers. Her latest, In the Unlikely Event, brings that streak to an end. In the Times, Caroline Leavitt reviews her new book, which depicts a small town in the fifties reeling in the wake of three consecutive plane crashes. FYI, our own Lydia Kiesling wrote an essay on Blume’s book Forever.
“Even after I realize that we are being robbed, that bullets can shatter glass, that being locked in is no help in this situation, I still feel a vague resentment at having to hand the laptop over. It’s mine. It contains my work, a week of writing, a month or more of photography, personal information. I have hesitated only a few seconds but feel as though I have just woken from a trance: briefly, I imagined myself with a bullet in my thigh, imagined myself bleeding out in traffic in Ojota.” At Granta, Teju Cole writes about living in Lagos.
“In the aftermath of tragedies, people become obsessive, do strange things. As the tragedy recedes and is sewn up into the past, these strange things appear increasingly weird to casual observers.” At The Rumpus, our own Lydia Kiesling reviews Donna Tartt’s new novel The Goldfinch, which centers around a fictional bombing of the Metropolitan Museum of Art.
Tolstoy has a new book out. No, not that Tolstoy — Sofiya Tolstoy, wife of Leo Nikolayevich. Her long-lost novella, which languished for years in the Tolstoy Museum in Moscow, has finally been published, as part of an expanded edition of her husband’s The Kreutzer Sonata. At Slate, Ron Rosenbaum praises her story, calling it “graceful, emotionally intuitive and heartbreaking.” Related: 8 experts on whether Leo Tolstoy is better than Dostoevsky.
“I haven’t met Drake, but I have of course met people who have met Drake. But you have to realize how o-l-d I am. I’m not likely to go to the same parties. Or many parties at all, to be frank.” Junot Diaz interviews Margaret Atwood for The Boston Review. We obviously recommend you read our respective interviews with them both, too.
Ebony has a brief list of “Six Caribbean Writers to Discover This Summer,” and it’s a nice complement to Fortnightly Review’s recent double-feature on Dominican poets Homero Pumarol and Frank Báez. I also recommend checking out Generación Año Cero, an online collection of sixteen short stories from a “movement of [Cuban] writers who began publishing in 2000.”