“When Michael reads in one of the society columns that are hilariously reprinted here, misspellings and all, that Astrid’s jewels aren’t blingy enough, he flies into a fury of inadequacy. This leads him to try to buy one of Singapore’s rarest architectural masterpieces and turn its ground floor into a museum for his car collection, which includes a car from Ferris Bueller’s Day Off; fortunately, his offer is turned down.” On Kevin Kwan’s China Rich Girlfriend.
Nouveau Riche
Moving Beyond Mary Shelley
Rachel Feder considers why Mary Shelley is often credited as the "ingénue inventor of speculative fiction," while Margaret Cavendish remain relatively unknown.
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The Millions Among the Finalists
A pair of pieces from The Millions are among the finalists in this year’s 3 Quarks Daily Arts and Literature Prize: “Her Story Next to His: Beloved and The Odyssey” by Frank Kovarik and “Reading and Race: On Slavery in Fiction” by our staff writer Edan Lepucki.
What’s Wrong with a Readable Book?
There is a controversy brewing right now in Britain about readability and excellence in literature. Apparently, being “readable” is no longer a compliment.
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Down Goes the Stout
In what was surely one of the most fun experiments of all time, a team of Irish scientists have finally figured out why Guinness stout bubbles fall instead of rise.
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Words of Wonder
Over at Aeon, Jenny Davidson explores what makes a great sentence. As she puts it, “A great sentence makes you want to chew it over slowly in your mouth the first time you read it. A great sentence compels you to rehearse it again in your mind’s ear, and then again later on.” Pair with our own Michael Bourne’s essay on sentence structure for creative writers.
Ponyboy Breaks Into Song
A musical adaptation of S.E. Hinton's The Outsiders is scheduled to debut in Chicago this summer, directed by Liesl Tommy and written by Adam Rapp.
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Seminar-Worthy Stocking Stuffers
In a piece for the Los Angeles Review of Books, Sarah Mesle reviews Mallory Ortberg‘s Texts from Jane Eyre, which “is not only a major work of bathroom humor reading, but also a significant contribution to feminist literary criticism. It is difficult to imagine another book that would both be a perfect stocking stuffer and an exemplary text for a seminar in literary studies.”