“Look, if you meet someone with one leg, are you going to sit and revile them for not having the other leg? No, you’re going to be happy that they have the one and praise them for it. And get them thinking about how can we substitute for the one that’s lacking. Which are you going to do?” Robert Thurman quoting the Dalai Lama on embracing the positive in an interview in Guernica, where Thurman speaks about nonviolent resistance, the potential for a demilitarized world, and his friendship with the Dalai Lama.
“We are here to take creative risks and to do the sort of work that commercial broadcasters might be more reluctant to do. But we also have a real responsibility and a requirement to reflect a range of British communities.” Bestill our hearts, the BBC is adapting Vikram Seth's A Suitable Boy as its first period drama with a non-white cast, reports The Telegraph. Our own Lydia Kiesling described Seth's epic as "a spectacularly romantic novel, weddings all over," but noted sadly that "it portends falling in love with the man you can marry, in lieu of the one that you can’t."
Fellow children of the ‘90s will remember how much that decade was a kind of Golden Age for disaster movies. Then as now, explosive blockbusters like Independence Day, Twister and Dante's Peak satisfied a collective appetite for wide-scale destruction and mayhem. At The Morning News, Ethan Gilsdorf considers what the genre’s evolution has to say about us.
Want to know what what Freddy Krueger's reading? On his Twitter feed, actor (and author!) Robert Englund reports his favorite reads. Recently: A Visit from the Goon Squad by Jennifer Egan and The Singer's Gun by The Millions contributor Emily St. John Mandel.