Last month, Austin Bunn published The Brink, his debut collection of short stories. The stories, as Ryan Krull describes them in The Rumpus, hinge on pushing characters to some personal limit of behavior. In an interview, Bunn talks about why that is, as well as his new short film, In the Hollow.
If we are, as Adam Kirsch writes, in the midst of a golden age of essays, we might want to ask exactly which essays are proof of this golden age. His first three picks -- My Heart is an Idiot, I Was Told There’d Be Cake and Pulphead -- are unsurprising choices, but then it gets a bit more interesting when he looks at Sheila Heti’s latest novel. (You could also check out a few of our pieces on these books.)
John Steinbeck's son criticizes the state of Texas for invoking Of Mice and Men's Lennie Small, in ruling that certain mentally retarded individuals can be sentenced to the death penalty. The great-great-great granddaughter of Herman Melville wonders where her great-great-great-grandfather's editor was when he wrote Moby Dick.
In her “Classic Russian Writers: For Teh Internets” column at McSweeney’s, KA Semënova “updates classics of Russian literature with modern technologies to see if the insights of those writers hold up today.” Her first two pieces explore Anton Chekhov’s “The Lady with the Dog” and Vsevolod M. Garshin’s “The Signal.”
Interested in seeing unsettling characters -- preferably with moustaches -- looking for meaning in wacky postmodernist settings? Well, o ye of of bizarre inclinations, you’re in luck: Thomas Pynchon is rumored to be working with Paul Thomas Anderson. (He's also coming out with a new book.)