Three cheers for Jim Crace, who just took home the 20th annual IMPAC Dublin Literary Award! If you remember our coverage of the shortlist, you’ll know that the Harvest author beat out TransAtlantic author Colum McCann and Americanah author Chimamanda Ngozi Adichie, among others.
How did Ian Fleming come up with James Bond? It’s easy to think, considering the political context of his era, that Fleming tailored his superspy to be the ideal hero of the Cold War. Yet there’s another, more prosaic explanation -- was the author simply having a midlife crisis?
Steven Millhauser's new collection We Others is out this week, as are Hisham Matar's Anatomy of a Disappearance and Alex Shakar's Luminarium. Here at The Millions, Shakar recently offered the harrowing story of the publication of his first novel. Alexandra Fuller has a new memoir out. Cocktail Hour Under the Tree of Forgetfulness. and foodies are celebrating with 40 Years of Chez Panisse: The Power of Gathering.
“Freedom is not freedom from connection. Serial killing is freedom from connection. Certain large investment firms have established freedom from connection. But we as people never do, and we’re not supposed to, and we shouldn’t want to. We are individuals, obviously, but we are more than that.” Joss Whedon speaks to Wesleyan’s graduating class.
The organizers of this year’s O, Miami Poetry Festival are holding an online poetry contest entitled “That’s So Miami.” To participate, submit a poem that begins or ends with the phrase, “that’s so Miami.” Entries – which can be culled from both Twitter and Instagram – are accepted in English and Spanish (duh), and submissions are posted daily on the organization’s new Tumblr. For a rundown of the festival’s other April events, check out their Facebook page.
No matter what you think of the bookish offspring of the OED’s word of the year, you should know that Neil Gaiman gave the term "shelfie" some more press. While moving out of his house, the author took a “tragic shelfie,” aka a picture of his books packed away in boxes. (Related: our own Tess Malone reviewed Gaiman's latest book.) (h/t The Paris Review)
William Carlos Williams's birthday was this last week, and Adam Kirsch writes about the poet for New York Review of Books. Though he argues that "today it would be hard to find a reader of poetry who would not acknowledge William Carlos Williams as one of the major American modernists" Kirsch still has to face the question, "why is it, then, that almost fifty years after his death, the reputation of [Williams] still seems to be haunted by a ghost of uncertainty?"