Literary prizes are nothing new, but prizes that give writers real estate are a thoroughly modern development. At Salon, Michele Filgate investigates our odd new economy, in which lucky writers win leases to homes, inns and (in one case) a goat farm. You could also read our own Nick Ripatrazone on the Amtrak residency.
Out this week: Eat Only When You’re Hungry by Lindsay Hunter; The Locals by Jonathan Dee; Rebellion by Molly Patterson; Red Light Run by Baird Harper; Darkansas by Jarret Middleton; and Double Portrait by Brittany Perham. For more on these and other new titles, go read our most recent book preview.
New in fiction this week: Benediction by Kent Haruf and Ten White Geese by past IMPAC winner Gerbrand Bakker. In non-fiction: Salt Sugar Fat: How the Food Giants Hooked Us, Michael Moss's food industry exposé excerpted in the recent Times Magazine. From the other side of the food spectrum is Issue 6 of Lucky Peach. And it's a big day for baseball fans: the 2013 Baseball Prospectus is here.
The Tournament of Books declares a winner! It was down to two in the last round: Jonathan Franzen's Freedom (called "big, messy, flawed, enraging, and engrossing" by C. Max Magee, one of the final round judges) and Jennifer Egan's A Visit From the Goon Squad (which "ached with feeling and tension...") Find out who won at The Morning News!
A new Margaret Atwood novel is out this week, as is a new book by Nobel laureate J.M. Coetzee. Also out: The Maid’s Version by Daniel Woodrell, At the Bottom of Everything by Ben Dolnick and Duplex by Kathryn Davis. For more on these and other upcoming releases, check out our Great 2013 Second-Half Book Preview.
Olivia Laing has written an entire book about male writers and their relationships with alcohol, The Trip to Echo Spring, but in a piece for The Guardian she returns to the subject of writers and drink in order to respond to the question, what about women writers? Were any of them alcoholics? "Yes," she writes, "of course." She goes on to discuss the lives and work of Jean Rhys, Marguerite Duras, Elizabeth Bishop and Patricia Highsmith, their reasons for drinking and their experiences in a society much more willing to accept the struggles of men than of women. For more from Laing, be sure to check out her Year in Reading for 2013.