In a way, this is the opposite of an interview: a series of conversations held exclusively between chatbots. At n+1, Nick Levine constructs dialogue straight out of Beckett. Pair with Houmon Barekat on Finn Brunton’s history of spam.
I’m Good
Murakami’s Latest is Flying Off the Shelves
Haruki Murakami’s latest book – the title of which translates to Colourless Tsukuru Tazaki and the Year of His Pilgrimage – went on sale in Japan last month, and in that time it’s been selling over a million copies a week. You can catch a glimpse of the book’s first and earliest reviews over at the NY Daily News. (By the way, did you know Murakami translated The Great Gatsby into Japanese?)
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Reproduction is a Funny Thing
“Motherhood has always been contested terrain, but for the last decade or so it’s been a virtual battleground; every year, almost like clockwork, we have another flare-up in the so-called Mommy Wars, with another Tiger Mom or Get-Back-To-Work-er or Can’t Have It all-er launching a grenade as prelude to a book tour. And as much as I have an obvious stake in these battles as a mother and a feminist, I’ve come to find them depressingly repetitive, all sound and fury but offering little in terms of the policies that might actually affect our decisions.” At the LARB, Stephanie Bower gives her take on Why Have Kids?, Jessica Valenti’s new treatise on parenting.
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Bad Credit
As we noted here recently about the rise and fall of Motown, the real issue was money — who earned it, who kept it, who never saw it. Now Barrett Strong, who co-wrote and sang the Detroit label’s first hit in 1959, “Money (That’s What I Want),” tells The New York Times that he never saw a penny of royalties for a song that became a classic and generated millions of dollars for the label. Strong’s story is the story of Motown boiled down to its bitter, ironic essence.
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DeLillo Reads in Brooklyn
Speaking of Point Omega, here’s Vanity Fair‘s write-up of a rare DeLillo bookstore appearance, complete with conspiracy theorists and a fainting fangirl. It was sort of like a visit to the World’s Most Photographed Barn.
2015 VIDA Count
The 2015 VIDA count was published on Wednesday, tracking the representation of race, ethnicity, gender, sexual identity, and ability in liberal arts. It’s a good time to revisit our piece on last year’s numbers to see what progress has been made.
On Tour
Noah Charney writes for The Atlantic in defense of book tours, which “mostly entail maneuvering to get on radio shows or TV programs, and less glamorous elements, like attending bookstore readings where hardly anyone shows up.”
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Every height of brow
Putting aside for a moment the racist phrenological roots of the terms “highbrow” and “lowbrow,” here’s an interesting conversation on what the difference between them means for literature now. For a historical take, check out this graphic from a 1949 edition of LIFE magazine, which taught me a real gentleman wears fuzzy tweed, and iceberg lettuce is never in style.
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