Recommended reading: Jonathan Russell Clark examines “The Fine Art of the Footnote” for Literary Hub. Pair with his Millions articles on the opening sentence, the closing sentence, and doing away with quotation marks altogether.
"A book critic working today must contend with a world in which more diverse voices are heard and the traditional gatekeepers have less power to enforce conformity." LitHub interviewed Kate Tuttle, the president of the National Book Critics Circle, about literary criticism. Read our own Emily St. John Mandel on bad reviews.
Recommended recommendations: Weird Fiction Review has compiled a list of notable "weird" French and Belgian writers.
Things you can learn about Teddy Wayne from his essay in the New York Times Book Review: one, his first name is Derek; two, he believes the modern lit world is crazy for guys named Jonathan; and three, he once considered using the pen name D.T. Wayne. (For more, you could go read our interview, or else check out our review of his latest novel.)
South Floridian bandits, fishermen, drunks, madmen, and college students are mourning the imminent demise of beloved Miami institution, Jimbo's. The site of the "Who Lets The Dogs Out" video, the Flipper movie starring Elijah Wood, and a couple iterations of the now-defunct Swampstomp music festival, Jimbo's defied summation. Put simply, you had to see it yourself. The way I always explained it to my friends up North was by telling them it was like The Rum Diary met CBGB's and Will Smith's "Miami" video. Still, even that's insufficient, so I recommend reading the Miami New Times' epic chronicle of the place's history.
"I HAVE A FLOWER. OHO. SUDDENLY WE’RE NOT SO SKEPTICAL, ARE WE?" I know it's 2016 and he's been dead for almost two hundred years now, but these otherwise inexplicable texts from Samuel Coleridge (by way of Mallory Ortberg at The Toast) are hilarious and totally believable. Some earlier hits include texts from Charles Bukowski and Cormac McCarthy.