Recommended Reading: Alex Preston on Milan Kundera’s first novel in fifteen years.
Festivities
At Least Not in the Central Time Zone, That Is.
First The Times-Picayune makes major cuts to its print output, and now The University of Missouri Press is shutting down after 54 years? This is not a great week for writing.
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BTBA long list announced
The 2012 Best Translated Book Award long list has been announced. Among the contenders in the fiction category are Edouard Levé for Suicide, reviewed on The Millions here; Mathias Énard's Zone, which our own Garth Risk Hallberg described as "the kind of book that can tie a critic in absolute knots"; and Jean-Philippe Toussaint's The Truth About Marie, which The Millions Staffer Mark O' Connell called "a strange and unsettling novel that upholds its author’s status as one of the most exciting figures in contemporary fiction." One of Chad Harbach's year in reading selections, Dezso Kosztolányi's Kornél Esti, also made the list.
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Paper or Plastic?
Paper or plastic? Hey, you with the Kindle! Stop looking so smug... E-books aren't as green as you think.
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On Online Publishing
Everybody should read this great piece on online publishing by Sean Bishop, Better’s founding editor.
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Book Sightings
With the advent of e-readers, books on the subway are getting harder and harder to spot. It takes dedication to get a sense of what people are reading these days. At The Awl, Ben Dolnick sets out to catalogue a week’s worth of sightings, which included a man reading Cloud Atlas and The Stranger and a teenage girl reading Thornton Wilder’s Our Town. You could also read our own Nick Moran on the question of whether e-readers are really green.
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Make It New
"After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of 'realism.' It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop ('this isn’t a story,' 'this is poetry,' 'what is this'), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life." Susan Steinberg asks what happened to American experimental writing.