As titles go, it’s hard to get more straightforward than England and Other Stories, the new collection by Graham Swift. In the Times, Michiko Kakutani provides her verdict, lauding Swift for his ability to paint “vistas as panoramic as those in the stories of Alice Munro.”
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Get Yer Free Books Right Here
“This year, Free Comic Book Day turns sixteen years old. The good news: It can drive itself to swim practice now!” NPR’s Monkey See blog provides an irreverent and useful guide to Free Comic Book Day, which is tomorrow, May 6th. “When you read a comic, you are accepting a direct message from one singular honest soul,” Paul Morton wrote in our own pages a few years back.
Trailer Two-fer: Brave & Cosmopolis
Two full-length trailers for much-anticipated films dropped this week. First up is Pixar’s Brave, which will hit theaters this June. Meanwhile, on the other end of the spectrum, fans get to see Robert Pattinson star as Eric Parker in David Cronenberg’s adaptation of Don DeLillo’s Cosmopolis.
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Alias Atwood
Following on the success of Hulu’s adaptation of The Handmaid’s Tale, Netflix teases a first trailer for its take on Alias Grace. Read our review of the former here.
And All That Jazz
Have you ever wondered what The Great Gatsby would sound like? Designer Vladimir V. Kuchinov made The Generative Gatsby, a book that features typography based on famous 1920s jazz songs. “The following work is a visual experiment, a study of how music of this era, its rhythms, syncopations and patterns could alter prose to a new typographic frontiers keeping content legible as it could be,” he writes on his website.
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Tot Tales
Have you ever wondered how memoirists remember their childhoods so well when we can barely remember what we ate for breakfast this morning? Although losing your earliest memories is a common phenomenon called childhood amnesia, we’re more likely to remember childhood if we fashion it into a story.
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Marco Roth on Kazuo Ishiguro
In honor of the upcoming film adaptation of Kazuo Ishiguro’s Never Let Me Go, n+1 posts Marco Roth’s compelling review of Ishiguro’s novel and Michel Houellebecq’s The Possibility of an Island online for the first time.
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