“Exorbitant cost aside, if I can have the complete works of Shakespeare electronically beamed into my brain in under ten minutes, can I really say I’ve experienced Shakespeare? There is something organic about the experience of moving your eyeballs from left to right over an LCD screen in order to take in a sequence of marks the brain then must interpret as words, all the while using your hands to grip a lightweight, durable device.” Arguing for e-books over beaming text into your brain.
I’m thinking about installing a Delaney Nolan bat signal to alert the world of her new work whenever it appears. Previously I’ve evangelized about her writing in Guernica, Necessary Fiction, Sundog Lit, and The Rumpus, but this time I’d like to call attention to her photo essay about New Orleans in the latest issue of Oxford American.
Out this week: New Boy by Tracy Chevalier; Kintu by Jennifer Nansubuga Makumbi; The Awkward Age by Francesca Segal; The Australian by Emma Smith-Stevens; Evensong by Kate Southwood; Behind the Moon by Madison Smartt Bell; and Bad Dreams and Other Stories by Tessa Hadley. For more on these and other new titles, go read our most recent book preview.
"There’s something about shopping for books where you’re open for anything. You’re faced with a wall of books, and you don’t know anything about most of them. At some point, it’s just you and the poems." Carl Adamshick talks with the Los Angeles Review of Books about Powell's and the "bookstore MFA." Pair with our own Janet Potter's essay on loving bookshops.
"I asked myself - why don’t I state the race of my characters? And am I doing something wrong by not explicitly including a diverse cast of characters? Could I be doing something better? The short answer is yes." An argument in favor of race bent fanfiction and resisting assumedly white characters from The Missouri Review blog.
"To read something before it is accessible to all is both a privilege and an unfair advantage." Je Banach's notes on keeping the secrets of the books she writes about (e.g., Haruki Murakami’s Colorless Tsukuru Tazaki and His Years of Pilgrimage) are thoughtful, poignant, and tantalizingly spoiler-free.