Is Alejandro Zambra the new great Latin American writer? James Wood thinks he is. In the latest New Yorker, he describes how Zambra’s new story collection alerted him to the writer’s oeuvre, going on to analyze all three of the writer’s novels in English. You could also read our 2011 interview with Zambra.
Brillante
The Unlovable Nobel Novelist
Why don’t Turks like Orhan Pamuk? A detailed analysis here.
A Tipping Point for Gladwell Haters?
The Nation expends about 7,500 words to say Malcolm Gladwell is a hack. The source of the umbrage: “a cheerful, conversational voice deployed in a perfectly paced dopamine prose that had the palliative effect of nullifying whatever concerns readers might have about this product or that problem.”
●
●
Sarah Gerard on Revisiting Unfinished Work
Sarah Gerard offers a suggestion for a small act of creation that can set your mind in order during moments of turmoil.
●
●
●
Late American Novel Love
The brief excerpt of The Late American Novel that appeared in the New York Times Magazine this past weekend was also the first appearance of “A Tiny New Culture Section With No Name,” part of the Magazine’s redesign. At the Magazine’s “behind-the-scenes” blog, Editor Adam Sternbergh talks about the tiny new section and has some very nice things to say about The Late American Novel as well.
How Chris McCandless Died
For those of you who won’t rest until you find out the truth about how Chris McCandless died, know that neither will Jon Krakauer. His recent discoveries appear in the afterword to a new edition of Into the Wild, released in 2015. Also check out this Millions essay on extreme survival books.
A Heartbreaking Playlist of Staggering Sadness
Emma Straub’s super sad true Year In Reading entry had our eyes welling up just from its synopses, but now Ms. Straub’s put together an extremely sad playlist to keep you depressed through all of February.
●
●
An American Tragedy
“As everyday existence becomes more punitive for all but the monied few, more and more frustrated, volatile individuals will seek each other out online, aggravate whatever lethal fairy tale suits their pathology, and, ultimately, transfer their rage from the screen world to the real one.” Gary Indiana reviews Masha Gessen’s The Brothers: The Road to an American Tragedy for the London Review of Books.
●
●