Recommended Reading: “Voices of the Walmart.”
Aisle Nine
Act 266, Scene 6
How do you turn a 900-page novel into a play? You make it five hours long, that’s how. Roberto Bolaño’s classic 2666 is headed for the stage.
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The Mirror Stage
These Lacanian jokes will have you looking in the mirror and contemplating your existence.
John Sayles’s “Amigo” to Premiere in NYC August 10
The new film by master indie director John Sayles, Amigo, will premiere in New York on August 10th as the opening night presentation of the Asian American International Film Festival. Tickets just went on sale here; Sayles will be appearing in-person for a Q&A. “Amigo” is Sayles’s 17th feature film and a kind of historical companion piece to his recently released epic novel, A Moment in the Sun, published by McSweeney’s.
On the Adjunct
McSweeney’s has a few classic college movies updated for the adjunct era. Spoiler Alert: Good Will Hunting has a very different ending.
Slashing the Sestina
What’s better than slash fiction about your favorite authors? Slash sestinas about your favorite authors. At The Toast, Jade Sylvan writes three sestinas pairing Jack Kerouac and Allen Ginsberg, F. Scott Fitzgerald and Ernest Hemingway, and J. R. R. Tolkien and C. S. Lewis. “Two friends, writers, men,/in the most flamboyantly seedy café on the Left/Bank. Scott can’t get past the second word: ‘Write.'”
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A New Generation of Historical Epics
Ryan Lenora Brown delves into the ways an exciting new generation of African women writers are taking on the historical epic.
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Triple Threat
It’s either ironic or perfectly apropos that on the day the royal baby was born, Martin Amis, Ian McEwan and Salman Rushdie teamed up for a rare joint reading.
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Visions Beyond Imagining
“Hell-bent on researching the most microscopic pieces of a layered family history, Charles Ward burrows deeply into Old Providence. Lovecraft’s meticulous scene-setting is answered in the graphic novel with Ian Culbard drafting stately mansion exteriors and farmhouses in simple, slender strokes and never lending them more than two or three tones from his understated color palette.” On a graphic novel treatment of The Case of Charles Dexter Ward.