Recommended Reading: “Voices of the Walmart.”
Aisle Nine
Parlez-Vous Français?
“Embrasser” means to hug and kiss in French, but the new literary journal of the same name is about embracing unique varieties of international French. Embrasser is a Louisiana-based literary translation journal that aims “to highlight and preserve varieties of French that have been marginalized,” founder Emily Thibodeaux said. The journal is accepting fiction poetry, nonfiction, and criticism submissions in English or Louisiana French for its first issue coming out during Mardi Gras 2014.
●
●
A Death Certificate and Memorial Combined
“A ‘Complete Poems’ is a death certificate and memorial combined. After the Selected and the Collected, the Complete marks the poet’s official demise and at the same time erects a carven monument designed to outlast the ages.” At The Guardian John Banville reviews The Complete Poems of Philip Larkin which will be out on these shores in March.
●
●
And the NMA Winners Are…
The good souls at Longform.org have organized all of this year’s National Magazine Award winners.
●
●
Historical Fiction Focuses on the 20th Century
The Walter Scott prize did an analysis of prize submissions since its eight years of existence-with 650 novels submitted-and found that “38% of its submissions were set in the 20th century, while 19% were set in the Victorian era, between 1837 and 1901.” They also found many of the submissions focus on World Wars II and II and that the number of women historical fiction writers submitting their work has gone up.”The [Walter Scott] Prize celebrates quality, innovation and longevity of writing in the English language, and is open to books first published in the previous year in the UK, Ireland or the Commonwealth,” the breakdown is fascinating.
On The Road With DFW, Part II
At Condalmo, Matthew Tiffany‘s review of David Lipsky’s new book, Although Of Course You End Up Becoming Yourself: A Road Trip With David Foster Wallace: “You can’t go more than two or three pages without Lipsky’s shadow falling over the text. And you aren’t reading this book for the Lipsky, are you? The biggest problem here is that, like it or not, his fingerprints are all over it. And I didn’t like it.”
●
●
That One Verboten Phrase
At the Ploughshares blog, Erinrose Mager interviews Year in Reading alum Rick Moody, who talks about his classes at NYU and why he prefers “the mentorship model” of teaching writing over the workshop model. (Related: our founder C. Max Magee reviewed Moody’s book The Diviners back in 2006).
●
●