“May God give me the courage to finish it:” The London Review of Books profiles one woman’s attempt to translate Finnegans Wake into Mandarin Chinese.
A Chinese Finnegan
Kathleen Alcott on the Writing Life
At the Rumpus, Kathleen Alcott provides a poignant recollection of what she inherited as a writer from her father: “And is it worth it? Was it for my father, is it for me, for nearly every writer I’ve met, whose default answer is ‘Yes’?”
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Writing Home About
“In Go Home! — a collection that feels particularly timely in the midst of attacks on immigrant families and communities — Asian diasporic writers are both thoughtful and generous in their reflections about who they are, where they have been, and where they belong.” For Shondaland, Nicole Chung interviewed Rowan Hisayo Buchanan, the anthology’s editor, and a few contributors (including Alexander Chee, Karissa Chen, T Kira Madden, and Esmé Weijun Wang) about what home means to them. Pair with: our review of Chee’s The Queen of the Night and Wang’s 2016 Year in Reading entry.
Similes Like Bombs
Senior New York Times book critic Dwight Garner talked with Prospect Magazine about his career and the literary landscape. Of the new online critical publications, which ones did the interviewer single out for compliments? Answer: the LARB and The Millions. (Aw.)
Qiu Miaojin’s Survival Guide
Qiu Miaojin was a Taiwanese novelist and lesbian activist, and her short life has had a profound impact on queer literature since her suicide in 1995. Recently Bonnie Huie received a PEN translation grant so she could bring Miaojin’s best-known work, Notes of a Crocodile, to an English-speaking audience. You can read an excerpt of Huie’s translation on the Asian American Writers’ Workshop online publishing platform, The Margins.
The People Hath Spoken
Is it possible to figure out Shakespeare’s politics from his plays? At the very least, there’s a lot we can learn.
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