“May God give me the courage to finish it:” The London Review of Books profiles one woman’s attempt to translate Finnegans Wake into Mandarin Chinese.
A Chinese Finnegan
Please, Sir, I’d Like Some More Time
Recommended Reading: a piece from the New York Review of Books blog on modern attention spans and what they mean for literature. Hint: it’s not looking too promising. Tim Parks closes with a prediction that “the novel of elegant, highly distinct prose, of conceptual delicacy and syntactical complexity, will tend to divide itself up into shorter and shorter sections, offering more frequent pauses where we can take time out. The larger popular novel, or the novel of extensive narrative architecture, will be ever more laden with repetitive formulas, and coercive, declamatory rhetoric to make it easier and easier, after breaks, to pick up, not a thread, but a sturdy cable.”
Not Exactly Rotten
According to a recent survey, Danes are the happiest people in the world. This came as a surprise, writes Mathilde Walter Clark, to most of her fellow Scandinavians, who know very well the unhappier elements of their daily lives. The problem, she suggests, is that words like “happiness,” “ambition” and “contentment” have subtly different meanings in different languages — in other words, happiness in Denmark isn’t the same thing as happiness in America. You could also read our own Emily St. John Mandel’s review of the Danish writer Jonas T. Bengtsson’s A Fairy Tale.
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The Quest to Write In Other Languages
A writer in both Italian and Arabic, Amara Lakhous writes on linguistic “polygamy” and her desire to become a trilingual writer. Pair with Hannah Gersen’s Millions piece on reading the English translation of Jhumpa Lahiri’s In Other Words.
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