After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.
Young and Old
How Does It Feel / To Wait for a Release Date?
A release date for D’Angelo’s long-anticipated Voodoo follow-up is due any day now, so I really recommend checking out Amy Wallace’s stellar profile of the artist to stoke your interest.
Remnick on Obama: The Bridge
New Yorker editor David Remnick‘s biography of President Obama will be released April 6, with a first printing of 200,000. Details at PW.
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Didion’s Perfect Synthesis
“Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once.” In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion’s writing career, her “imaginatively seductive” nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
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MIT’s Open Documentary Lab
Andrew Phelps interviews Sarah Wolzin, director of MIT’s new Open Documentary Lab, which “brings technologists, storytellers, and scholars together to advance the new arts of documentary.” The Lab, according to Phelps, is “part think tank, part incubator for filmmakers and hackers.”
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Indispensable Squares
“Nobody there but dirty old men who spit tobacco juice and try to look up your skirt.” The city square is one of the biggest architectural differences between the United States and Europe. Over at The Daily Beast, George Packer takes a look at plazas/piazzas and makes a case for why America needs more.
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Stieg Larsson’s High School Fiction
A forthcoming anthology of Swedish crime fiction – fittingly entitled A Darker Shade of Sweden – will contain a piece from a 17-year-old Stieg Larsson, reports Julie Bosman. The book will be published this February.
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