After Herzog came out, Saul Bellow began the slow transformation from young Bellow into old Bellow, from the critically adored but little-known writer to the Nobel Prize winner whose views were solicited on every topic. In The New Yorker, Louis Menand writes about a new biography of the author, which tackles his early career. Related: our own Emily St. John Mandel on Bellow’s novel The Bellarosa Connection.
Earlier this week, I told you about a few lists of some really great poetry from 2015. In keeping with the poetic spirit, here’s another fantastic piece from The New York Times in which everyone from Ta-Nehisi Coates to Elena Ferrante talk about their favorite poems of all time.
“Shelley once called poets the ‘unacknowledged legislators of the world,'” but has the social role of poetry changed since Shelley’s time?
Why do articles go viral? At The New Yorker, Maria Konnikova traces what makes a popular story all the way back to Aristotle, but today’s clickbait has two features: a positive message or an ability to excite the reader emotionally. This probably explains why we love those articles about puppies. Pair with: Our piece on if book titles were written for clicks.
“I have always had faith that the best writers will rise to the top, like cream, sooner or later, and will become exactly as well known as they should be—their work talked about, quoted, taught, performed, filmed, set to music, anthologized. Perhaps, with the present collection, Lucia Berlin will begin to gain the attention she deserves.” An excerpt from Lydia Davis‘s foreword to Berlin’s A Manual for Cleaning Women: Selected Stories is now online.