“Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us. But does it matter to everyone else?” mensah demary writes about the good, the bad, and the slightly neurotic of being a writer on Twitter for Electric Literature.
Writing Literary Twitter
Everything I Say
Don’t Suck, Don’t Die: Giving Up Vic Chesnutt by Kristin Hersh is a downright mesmerizing elegy to the eclectic singer-songwriter. Part idiot-savant, part deliberate curmudgeon , Vic Chesnutt (who Rolling Stone has called one of the greatest songwriters of all time) was notoriously difficult to spend a lot of time around. Hersh stopped by Electric Literature for an interview about the book and about losing her dear friend Vic. Bonus: for anyone unfamiliar with Chesnutt’s work, this video will get you close.
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Roxane Gay on How Audre Lorde Honored the Lived Realities of Women
Roxane Gay pays tribute to Audre Lorde's contribution to contemporary feminism and her ability to value differences as strengths.
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Big Papa Country
Brad Leithauser on being from “Hemingway country,” and Matt Pearce, on the impossibility of tweeting from there.
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A Belated Welcome
A belated welcome to the newest Millions staff writer Janet Potter. Janet is a Chicago writer and indie bookstore vet who’s already written several pieces for us on a number of books, most notably her controversial takedown of Stieg Larsson.