“Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us. But does it matter to everyone else?” mensah demary writes about the good, the bad, and the slightly neurotic of being a writer on Twitter for Electric Literature.
“Book lore and book history and everything around them, to do with libraries or culture, I think it centers so much of civilization.” Atlas Obscura interviewed journalist Alex Johnson about his forthcoming title, Book Towns, which explores off-the-beaten-path towns bursting with bookshops.
“Dear Mrs D, Thanks for your homework. Your idea of writing a Christmas ghost story was a good one, but it’s not really the kind of thing I tend to do — it’s a little bit too genre for my tastes. Try Kevin, who sits next to me. He loves that stuff.” Over at McSweeney’s, Nick Hornby advises his son on excuses for failing to hand in his English homework, excuses which Hornby learned are acceptable during a thirty-year career in journalism, books, and film.
Fans of Arundhati Roy are celebrating at the news that the author will publish a new novel, her first in 20 years, reports Electric Literature; The Ministry of Utmost Unhappiness is scheduled for release in 2017. Our own Garth Risk Hallberg maaaaay have poked a bit of fun a few years back at the title of Roy’s first novel, The God of Small Things, but that was all in good fun.
“New houses get built, and new songs are sung … and I am the same, in the same trembling state.” Things are not going very well at the newly built Federico García Lorca center in Granada, Spain. Patience is wearing thin as members of the García Lorca Foundation continue tangling with government officials over control of the center, which is intended to house nearly 20,000 items — manuscripts, drawings, musical compositions and artworks valued at more than 20 million euros.