What’s the best book to introduce someone to the late Terry Pratchett? The Color of Magic, his first Discworld novel, is an intuitive choice, but it may not be the right one. In The Guardian, Sam Jordison kicks off a debate about the ideal entree to Pratchett’s work. You could also read our tribute to the author.
Where to Begin
Tastes Like Nostalgia
“Titles hitting shelves in the coming months are both updating heirloom recipes for a modern age, and modern kitchens, and bringing untouched dishes back into the spotlight.” Publishers Weekly highlights the resurgence of retro cookbooks as well as upcoming titles that put contemporary spins on vintage recipes. From our archives: Hannah Gersen‘s list of literature masquerading as cookbook.
Hurricane Reads
East Coasters can prepare for Hurricane Irene by reading Hart Crane‘s “O Carib Isle” (via W.W. Norton & Co.) or William Carlos Williams‘ “The Hurricane” (via Proustitute). The Book Bench has also compiled a list of “Six Shorts to Read During a Hurricane.”
The Stories We Tell
Of more than 23,000 front-page articles that appeared in The New York Times between 1939 and 1945, only 26 were about the Holocaust. Watch a powerful 18-minute mini-documentary about “how and why the genocide of Jews was neglected and euphemised by the Times, and by extension, the American people.” Pair with our piece about the German traditions of the Denkmahl and Mahnmahl, two different kinds of memorials with subtle, yet important distinctions.
A Beginner’s Guide to Drugs For Girls
Tasteless and horrifying–nay, even a sign of the apocalypse–or rather excellent advice for college-bound young ladies? You decide: Vice Magazine‘s “A Beginner’s Guide to Drugs For Girls.” (A taste: “Here are some pointers for the beginners out there so you can get high without becoming that girl slumped in the corner of the night bus with vomit all over your shoes and lockjaw so bad your teeth have all snapped in half.”)
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Home Is Where the Story Begins
“Is the reason to have a home, as the narrator in Jenny Offill’s Dept. of Speculation, asserts, ‘to keep certain people in and everyone else out’? Or does home, as the narrator in William Maxwell’s autobiographical novel So Long, See You Tomorrow suggests, work primarily as a scaffolding of known things — as a place to read, a place to stash the damp umbrella, a place to listen to the porch swing creak?” Beth Kephart on the literary significance of home.