Helen Vendler is one of those rare scholar-writers who doesn’t adhere to a particular school of theory. In her new book of essays, she explains her view of criticism as distinct from both philosophy and scholarship, as a form of learning that’s inherently “unsystematic and idiosyncratic.” In Open Letters Monthly, Jack Hanson reads through the book. You could also read Jonathan Farmer on Rita Dove’s letter to Vendler.
Unaffiliated
You’re God Damn Right It Does
“Literature matters: Does reading make you smarter?”
Across the Screen
“His books are not only obviously produced by an obsessive film buff (as evidenced by one wry recurring trick, the dates in brackets that follow even citations of celluloid ephemera), they often seem to want to be movies, as shown by another signature device, the way his protagonists – from the 1890s European spies and 1950s New Yorkers in the interwoven narratives of his debut, V. in 1963, all the way to Inherent Vice and Bleeding Edge in 2013 – break anti-naturalistically into song like characters in musicals.” An argument that Thomas Pynchon writes fiction tailor-made for the cinema.
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Thinking and Feeling
Leaning
"Sandberg does not mention pleasure. Sandberg assumes instead that the feminist question is simply, how can I be a more successful worker?...Sandberg has penned not so much a new Feminine Mystique as an updated Protestant Ethic and the Spirit of Capitalism." At Dissent, Kate Losse, herself a former Facebook employee, critiques Sheryl Sandberg's new and controversial Lean In.
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Posthumous Hitch
Christopher Hitchens' final piece of writing has been published by Vanity Fair. It's about Charles Dickens, and in particular the author's "willingness to atone for his mistakes."
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Roaches are Red, Violets are Blue
Looking for a last minute Valentine's gift? Well, in the words of The Bronx Zoo, "How better to express your appreciation for that special someone than to name one of the Bronx Zoo's 58,000 Madagascar hissing cockroaches after them?"
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