Earlier this month, I wrote about Louis Menand’s recent New Yorker piece about The Life of Saul Bellow, a new biography of the Nobel laureate by Zachary Leader. Now, in the LRB, Andrew O’Hagan reads the book. Sample quote: “Bellow’s community was his subject and his subject was his voice.”
The Other Saul
Rick Moody, Life Coach
"This seems to me the much more complex human truth … that for every theorist of the physical, as with every brainless brawler out in front of a tavern, there is a spot in him in which he aspires to the spirit. Always the flickering of the spiritual in which we reach for better. This is the ambition that changes those who aspire to it.” Here is the latest installment in The Literary Hub’s brave, groundbreaking series “Rick Moody: Life Coach." This week finds Moody urging his reader along a path of nonviolence. Last time he took on crying.
Concealing Horrors
“According to David Means and his debut novel, Hystopia, [classic war novels] aren’t simply about confronting the horrors of war, but also about concealing them, hiding them under a layer of rationalizations and wishful thinking that often simplifies their lawless anarchy and finds sense, meaning and purpose where there’s little.” Over at Electric Lit, Simon Chandler reviews David Means’s Hystopia.
A Liquid State
“Thus it is our [feminists’] historical task ... to define what we call oppression in materialist terms, to make it evident that women are a class, which is to say that the category ‘woman’ as well as the category ‘man’ are political and economic categories, not eternal ones.” This essay in remembrance of Alexis Arquette touches on everything from VIP guest lists to feminist theorist Monique Wittig.
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Burning Yearning Being Burning Yearning
"To be awake was a thing many had dreamed of, while continuing to sleep for years, like the famous princess in her coffin of glass. Once I opened a Chinese fortune cookie that said, Some will attain their heart’s desire, alas." Revisiting this fantastic Anne Carson poem, "The Day Antonioni Came to the Asylum (Rhapsody)," over at The Paris Review. Carson's newest, Float, is due out in a couple of months.
At Least Not in the Central Time Zone, That Is.
First The Times-Picayune makes major cuts to its print output, and now The University of Missouri Press is shutting down after 54 years? This is not a great week for writing.
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