In the mid-aughts, Jonathan Gottschall pioneered “literary Darwinism,” a new form of analysis which applied evolutionary theory to works of literature. It was part of a wider upheaval in English departments across the country. Now, more than ten years later, we can make an assessment: how’d it work out for Gottschall? The answer: not well. (h/t The Paris Review Daily)
HTML Giant contributor Jimmy Chen has written a masterful and hysterical piece for McSweeney’s entitled “Raymond Carver’s OKCupid Profile, Edited by Gordon Lish.”
Who among us hasn’t considered turning to jewel thievery and the heisting life during some of our weaker moments? Over at The Daily Beast, Geoff Manaugh takes a look at why we all secretly dream of becoming jewel thieves. If you enjoyed this heist story but you found it lacking in Ben Affleck, then here’s a piece on his true-crime flick The Town and bad drama.
John Wilmot, second Earl of Rochester, was a dear friend (even protégé) of King Charles II. He was also a sharp-tongued poet who called out the same King on his bedroom behavior: “His sceptre and prick are of a length; / And she may sway the one who plays with th’other.”
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. “I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!” Donoghue says. For more on the editing process, read about our own Edan Lepucki’s relationships with her copy editor and editor.
Recommended reading: on dictionary-related panics from The New Yorker. Pair with our own Bill Morris‘s Millions essay “Prescriptivists vs. Descriptivists: The Fifth Edition of The American Heritage Dictionary.”
Out this week: Autonomous by Annalee Newitz; Sun in Days by Meghan O’Rourke; The Good People by Hannah Kent; The Exact Nature of Our Wrongs by Janet Peery; and The Ninth Hour by Alice McDermott. For more on these and other new titles, go read our most recent book preview.
At The Nervous Breakdown, Micah McRary talks with Leslie Jamison about her use of POV, her new book of essays and whether her criticism might be dubbed “evasive biography.” You could also read our interview with Jamison or else read Ryan Teitman’s review of The Empathy Exams.